We are coming towards the end of the series of articles examining the 1974 letters. This article will be a continuation of 'The Hearst Family Connection' with one final piece of the jigsaw regarding the May 8th 1974 Citizen card to look at. Here is a brief recap of the previous article: "This all began on February 3rd 1974 with the S.L.A letter, postmarked "U.S. Postal Service, CA 913 PM 3 FEB 1974". This was the eve of the kidnapping of Patricia Campbell Hearst, which occurred on February 4th 1974. The letter signed off with "a friend". On February 10th 1974, a Symbionese Liberation Army member mailed a typed letter to the Hearst family at 233 W. Santa Inez Ave, Hillsborough, California, postmarked "U.S. Postal Service, CA 940 PM 10 FEB 1974". It too was signed off with "A friend". 

​The article argued that the Citizen card had been targeted at William Randolph Hearst Sr, who had previously forbade his newspapers running any ads for the Orson Welles Citizen Kane movie, released in Los Angeles on May 8th 1941. Hence the context of the card and the signing off with "A citizen". 

The day after the Symbionese Liberation Army mailed the February 10th 1974 typed communication to the Hearst family, another typed communication arrived stating:
Hearst Family, 
(Second Commandment: "For I the Lord as a jealous God and visit the sins of the fathers upon the children unto the third and fourth generation.)
No, we are not religious nuts, but we hate you for your father's part in starting the Spanish-American War, and also for his later, cheap liason with the trollop Marion Davies."
Our male ancestors were killed in your father's war and their wives were left with pensions of $25 to $50 a month for life. We wonder how you can hold up your heads in decent society, and why your contemporaries can stomach your presence. Our once proud families were destroyed by your father's war.....which he started to boost his circulation 
                                     HERE IS WHAT WE DEMAND;
Before we release your daughter Patricia, you must show proper humility by acknowledging the guilt of William Randolph Hearst (in regard to starting yellow journalism and instigating the Spanish-American War. You must publicly beg the forgiveness of your country. This must be done on ALL media and must be expressed in terms of abject humility.
When we are convinced you are showing abject humility for the sins of your father and his papers, we will release Patricia, whose only sin is that she carries the genes of William Randolph Hearst.
                                                                                        The SLA   

The February 11th 1974 Hearst letter focused on the "yellow journalism" employed by William Randolph Hearst regarding the Spanish-American War and called for his forgiveness to be "expressed with abject humility". The following purported Zodiac communication on May 8th 1974 "expressed consternation at the lack of concern for public sensibilities" and demanded some action regarding the "yellow journalism" of murder-glorification that featured in the paper. Yellow journalism is described as exaggerations of news events, scandal-mongering, or sensationalism, designed to boost a newspapers circulation and increase sales - which includes the sensationalizing of murder. Exactly what the Citizen letter was calling out.

"The term was coined in the mid-1890s to characterize the sensational journalism that used some yellow ink in the circulation war between Joseph Pulitzer's New York World and William Randolph Hearst's New York Journal. The battle peaked from 1895 to about 1898, and historical usage often refers specifically to this period. Both papers were accused by critics of sensationalizing the news in order to drive up circulation, although the newspapers did serious reporting as well. An English magazine in 1898 noted, "All American journalism is not 'yellow', though all strictly 'up-to-date' yellow journalism is American" Wikipedia.

"During the Gilded Age, yellow journalism flourished, using fake interviews, false experts and bogus stories to spark sympathy and rage as desired. Joseph Pulitzer’s New York World published exaggerated crime dramas to sell papers. In the 1890s, plutocrats like Randolph Hearst and his Morning Journal used exaggeration to help spark the Spanish-American War. When Hearst’s correspondent in Havana wired that there would be no war, Hearst — the inspiration for Orson Welles' "Citizen Kane" — famously responded: “You furnish the pictures, I’ll furnish the war.” Hearst published fake drawings of Cuban officials strip searching American women — and he got his war". Politico.

We now have a May 8th 1974 Citizen card mailed on the same day as the Los Angeles release date of Citizen Kane, calling for advertisements not to be run about the Badlands movie, just like William Randolph Hearst insisted his paper do with the Orson Welles movie Citizen Kane, and an insistence in both cases that "yellow journalism" was not acceptable, beginning on February 11th 1974 and ending on May 8th 1974.

We could include the January 29th 1974 Exorcist letter featuring the much sensationalized William Friedkin movie "The Exorcist", in which the author plays down its impact, claiming it "the best satirical comedy that I have ever seen." In the final correspondence of 1974, on July 8th, the author complains about the "superiority complex" of Count Marco, who gave outrageous advice to women in a San Francisco Chronicle column geared towards sensationalism - the presentation of stories in a way that is intended to provoke public interest or excitement, at the expense of accuracy. The emphasis exhibited by the author of these three communications, was of somebody clearly irked by the newspapers coverage of events current and past, in the form of "yellow journalism." It certainly brings a new perspective to the phrase "red with rage." 

When tying a single author or group to the mailing of the S.L.A letter, Citizen card and Red Phantom letter together under one banner, it is important to understand the focus of the communications as a whole. This all began on February 3rd 1974 with the S.L.A letter, postmarked "U.S. Postal Service, CA 913 PM 3 FEB 1974". This was the eve of the kidnapping of Patricia Campbell Hearst, which occurred on February 4th 1974. The letter signed off with "a friend". On February 10th 1974, a Symbionese Liberation Army member mailed a typed letter to the Hearst family at 233 W. Santa Inez Ave, Hillsborough, California, postmarked "U.S. Postal Service, CA 940 PM 10 FEB 1974". It too was signed off with "A friend". The impending and eventual kidnapping of Patricia Hearst may have been the inspiration behind the latter three communications in 1974, with the Hearst family and corporation the main focus. In other words, the S.L.A letter, Citizen card and Red Phantom letter were aimed at William Randolph Hearst Sr (deceased), William Randolph Hearst Jr and the Hearst Corporation as a whole. The Symbionese Liberation Army ran on an anti-capitalist agenda and against everything the Hearst Corporation stood for, hence their targeting of the young woman and the forced distribution of food, sourced from the Hearst's and given to the working class in the form of a ransom. Despite sending an incoherent message to the American public, the Symbionese Liberation Army had extremely well-educated members, which may have played a part in the design of the Citizen card and subsequent Red Phantom letter, with references to the Hearst family. In particular, the "signing off" portion of each correspondence.  

Writing to the San Francisco Chronicle on May 8th 1974, the author reprimanded the editors for "lack of sympathy for the public, as evidenced by your running of the ads for the movie "Badlands". This was the primary focus of the card, before signing off the communication with "A citizen". Notice the correlation between this and the February 10th 1974 typed Hearst family letter, ending with "A friend". There may have been a tinge of sarcasm portrayed in the Citizen card in relation to the "running of ads" for the Badlands movie. 

In the FBI files pertaining to the Symionese Liberation Army, a memorandum dated April 30th 1974 indicated that the Hearst Corporation was prepared to offer a 4 million dollar food plan on May 3rd 1974 for the safe return of their daughter. The Sunday San Francisco Examiner, asking for "citizen assistance" had already run a feature article on April 28th 1974 (based on the file information), which resulted in the paper receiving 75 telephone calls offering information regarding S.L.A members. Only 10 days later, on May 8th 1974, the 'Citizen' card arrived at the San Francisco Chronicle, scolding the paper for its movie advertisements, before signing off the letter with "A citizen". 

However, this may not have been the only explanation for the "citizen" reference. Here is an extract from Wikipedia:
"The quasi-biographical film (Citizen Kane) examines the life and legacy of Charles Foster Kane, played by Welles, a character based in part upon the American newspaper magnates William Randolph Hearst and Joseph Pulitzer, Chicago tycoons Samuel Insull and Harold McCormick, and aspects of the screenwriters' own lives. Upon its release, Hearst prohibited mention of the film in any of his newspapers. Kane's career in the publishing world is born of idealistic social service, but gradually evolves into a ruthless pursuit of power". The film incensed William Randolph Hearst Sr and started a long running feud with Orson Welles, resulting in the newspaper magnate forbidding his newspapers to run any advertisements for the Citizen Kane movie. Does this ring any bells? - "Sirs, I would like to expression my consternation concerning your poor taste + lack of sympathy for the public, as evidenced by your running of the ads for the movie "Badlands". why don't you show some concern for public sensibilities + cut the ad?  A citizen." 

This was detailed in History.com with the title 'William Randolph Hearst Stops Citizen Kane Ads': "One of Hollywood’s most famous clashes of the titans–an upstart “boy genius” filmmaker versus a furious 76-year-old newspaper tycoon–heats up on this day in 1941, when William Randolph Hearst forbids any of his newspapers to run advertisements for Orson Welles’ Citizen Kane. Only a few days after the screening, Hearst sent the word out to all his publications not to run advertisements for the film. Far from stopping there, he also threatened to make war against the Hollywood studio system in general, publicly condemning the number of “immigrants” and “refugees” working in the film industry instead of Americans, a none-too-subtle reference to the many Jewish members of the Hollywood establishment. Hearst’s newspapers also went after Welles, accusing him of Communist sympathies and questioning his patriotism".

In the Telegraph under the title 'Citizen Kane 'feud' between Orson Welles and William Randolph Hearst thaws after 70 years' it states "When Welles' masterpiece was released in 1941 Hearst, who was the partial inspiration for the movie, was incensed and banned his newspapers from reviewing or even mentioning it".

Therefore, it must be an amazing coincidence that the Citizen card called for "cutting the ads" before signing off with "A citizen". Not to mention that the release date in Los Angeles, California for the movie Citizen Kane was May 8th 1941 - the exact date this correspondence was postmarked, on May 8th 1974.   

Two months later, the Red Phantom letter arrived at the San Francisco Chronicle, postmarked July 8th 1974, targeting the 'male chauvinistic' Count Marco column of Marc H. Spinelli. This letter continued the theme, demanding that the Chronicle "cancel the Count Marco column", before signing off with the rather curious "Red Phantom (red with rage)". But what did this pseudonym have to do with the Hearst family?

Entitled 'The Phantom: The Complete Newspaper Dallies Volume One 1936-1937' by Lee Falk, it states "Leon Harrison Gross was born on April 28, 1911, in St. Louis. By the time he sold his first comic strip, Mandrake the Magician, he had changed his name to Lee Falk. His tendency was to shave a few years off his age and he often told interviewers he was a 19-year-old junior at the University of Illinois when he started Mandrake. Actually he was 23, still an impressively young age to sell a comic strip to the largest syndicate in America, William Randolph Hearst's King Features. Two years later he came up with 'The Phantom' and King bought that one as well". See here.

​Founded in 1914, King Features Syndicate, Inc. is a print syndication company owned by Hearst Communications that distributes about 150 comic strips, newspaper columns, editorial cartoons, puzzles, and games to nearly 5,000 newspapers worldwide. King Features Syndicate is a unit of Hearst Holdings, Inc., which combines the Hearst Corporation's cable-network partnerships, television programming and distribution activities, and syndication companies. King Features' affiliate syndicates are North America Syndicate and Cowles Syndicate. Each week, Reed Brennan Media Associates, a unit of Hearst, edits and distributes more than 200 features for King Features. Wikipedia.

The author of the July 8th 1974 Red Phantom letter was again demanding that the newspaper "cut or cancel" another section they disliked. The question being - was this another sarcastic dig at the Hearst Corporation, threatening to release 'The Phantom', a fictional costumed crime-fighter, to seek retribution on the San Francisco Chronicle and Count Marco. Except this time, 'The Phantom' had morphed into the 'Red Phantom', red with rage.

The four 1974 communications were mailed in and around the height of the Symbionese Liberation Army, beginning on January 29th 1974, just days before the kidnapping of Patricia Campbell Hearst and ending on July 8th 1974, just six weeks after the deadly shootout between Symbionese Liberation Army members and law enforcement on May 17th 1974, resulting in the deaths of six urban militants. The Hearst family being front and center of everything.    

The Exorcist letter was mailed to the San Francisco Chronicle on January 29th 1974 featuring a 'review' of the 1973 William Friedkin Exorcist movie, a verse from The Mikado's 'Tit-Willow', the usual threat and some curious Asian characters at the foot of the letter, whitewashed from the January 31st San Francisco Chronicle article regarding this communication. Just three days later, a follow-up correspondence, widely labelled the S.L.A letter was mailed, highlighting the word "Kill" at its foot. The Asian characters on the Exorcist letter have been 'decoded' by Zodiac researcher Kevin Robert Brooks to spell "To Kill", opening up the possibility that the designer of the S.L.A letter was immediately responding to the Chronicle's whitewashing of the characters, giving us the solution and thus verifying they were the author of both. However, without being able to convince everybody or anybody of the "To Kill" solution, more is needed in tying these two communications together, along with the May 8th 1974 Citizen card and July 8th 1974 Red Phantom letter. 

The Zodiac Killer had a penchant for the theatrical, appearing in costume at Lake Berryessa on September 27th 1969 and citing Gilbert & Sullivan's Mikado twice in his July 26th 1970 letter. The 1974 Exorcist letter would feature film and theater, the Citizen card expressed consternation at the 1973 Badlands movie and the Red Phantom letter, likewise, may have been referencing a theatrical release of the film El Espectro Rojo or Red Phantom, as detailed by Tom Voigt on Zodiackiller.com. This provides another avenue of inspiration behind the Red Phantom pseudonym chosen by the July 8th 1974 author. It is certainly in keeping with the film and theater angle, heavily laden in the 1974 communications. Tom Voigt articulates that El Espectro Rojo or Red Phantom played at the Port Theater in Mill Valley, Marin County on the 27th and 28th April 1974, just three months prior to the arrival of the Red Phantom letter. The critical part now, is unearthing the inspiration behind the S.L.A letter from a film or theatrical standpoint, and connecting this to a Symbionese Liberation Army member. In a previous article, it has been shown that a Symbionese Liberation Army member typed a letter to the Hearst Family on February 10th 1974 and signed off with "A friend" - a few days earlier, the San Francisco Chronicle S.L.A letter arrived, also signing off with "a friend".  

One possible author of the S.L.A letter (and possibly the Exorcist letter) was Sara Jane Olson (born Kathleen Ann Soliah on January 16, 1947). She was a member of the Symbionese Liberation Army in the 1970s. She grew up in Palmdale, California, the daughter of Norwegian-American parents, Elsie Soliah (née Engstrom) and Palmdale High School English teacher and coach Martin Soliah. Engström, Engstrøm and Engstrom are surnames of Swedish and Norwegian origin. Was she responsible for authoring the S.L.A letter on February 3rd 1974, one or two days before the kidnapping of Patricia Hearst?

To examine this possibility we have to examine her background. The S.L.A letter was postmarked "U.S. Postal Service, CA 913 PM 3 FEB 1974". Kathleen Ann Soliah was brought up in Palmdale, Los Angeles County, California, often frequenting the nearby census-designated area of Agua Dulce. In fact, Agua Dulce was the commuter route from Palmdale to 1466 East 54th Street, Los Angeles -  the site of the deadly shootout between Symbionese Liberation Army members and law enforcement on May 17th 1974, resulting in the deaths of six urban militants. The Symbionese Liberation Army had its main headquarters in San Francisco and Los Angeles. Agua Dulce had a postal zip code of 91390, tying in nicely with the postmark on the February 3rd 1974 S.L.A letter. It is less than five miles from Palmdale. 

To discover the author of the 1974 communications attributed to the Zodiac Killer, we may be looking for somebody familiar with the Zodiac murders and correspondence (particularly with regards to the Exorcist letter), but also, somebody with film and theatrical leanings that may have a strong bearing on the design of the S.L.A letter.

​Kathleen Ann Soliah, after leaving high school, studied acting at nearby Antelope Valley College in Lancaster, California, near Palmdale. She then moved to study theater at the University of California at Santa Barbara, where she met her boyfriend and future Symbionese Liberation Army member, James Kilgore. After graduating in 1969 her radicalization intensified during future years in the Bay Area, eventually becoming friends with the notorious Angela Atwood. This is where a blend of her theatrical leanings, Norwegian-American heritage and a passion for writing may have come into play.

S.L.A  member and boyfriend of Kathleen Ann Soliah, James Kilgore, was ultimately jailed in 2002 for his participation in the April 21st 1975 Crocker National Bank robbery that resulted in the murder of bank customer Myrna Lee Opsahl. “I accept full responsibility for my actions on that day,” said Kilgore, a former San Rafael High School honors student and one-time economics major who became an SLA bomb maker and eventually a professor at the University of Cape Town" ReligionNewsBlog. The July 8th 1974 'Red Phantom' letter was mailed from San Rafael, Marin County, and the May 8th 1974 'Badlands' letter was mailed from Alameda County, where the County Coroner's Office received Symbionese Liberation Army threats after the 1973 murder of Marcus Foster. Espectro Rojo or Red Phantom played at the Port Theater in Mill Valley, Marin County.      

When looking for the inspiration behind the S.L.A letter and "Old Norse", keeping in line with the theatrical influences of the Exorcist letter only days earlier, I looked for a link to the theater in the S.L.A letter too. Whoever designed the Exorcist letter, mimicked the July 26th 1970 Mikado letter mailed by Zodiac. The Mikado is a two part comic opera by Gilbert and Sullivan, which opened to the paying public on March 14th 1885, and was hugely successful, running for 672 performances at the Savoy Theatre in London. Hedda Gabler is a play written by Norwegian playwright Henrik Ibsen. Ibsen was present at the world premiere, which took place on  January 31st 1891 at the Residenztheater in Munich. It is recognized as a classic of realism, nineteenth century theater, and world drama. The title character, Hedda, is considered one of the great dramatic roles in theater.

Symbionese Liberation Army member, Angela DeAngelis "General Gelina" Atwood died in the Los Angeles shootout on May 17th 1974. A year earlier "Kathleen Ann Soliah worked as a cocktail waitress in San Francisco and took small acting roles. She befriended Angela Atwood, the daughter of a New Jersey Teamsters boss who, like Soliah, had grown up in a middle-class home before coming to Berkeley. Atwood, who appeared with Soliah in "Hedda Gabler," helped her friend get a job at the Great Electric Underground, an upscale restaurant in the Bank of America world headquarters". link.

​If Kathleen Ann Soliah authored the February 3rd 1974 S.L.A letter referencing her Norwegian heritage of "Old Norse" and signing off with "a friend", then she was likely the author of the February 10th 1974 S.L.A Hearst letter, again signing off with "A friend". ​Her role in the Norwegian Hedda Gabler theater production would be an influence she carried forward, when we consider the presence of "Old Norse" in the February 3rd 1974 communication. The premiere of Hedda Gabbler opened on January 31st - the same day in history that the San Francisco Chronicle featured the arrival of the Exorcist letter. 

"At this period of Ibsen's youth, Norway experienced a nationalist awakening. The new literary generation, after 400 years of Danish rule, sought to revive the glories of Norwegian history and medieval literature. The middle ages were glorified as well because the romantic movement was in full swing throughout Europe. Thus, when Ole Bull, the great violinist, founded a norse theater at Bergen, the project met with enthusiastic approval from all the youthful idealists eager to subvert the influence of Danish culture.  Encouraged by the success of Ole Bull’s Norse theater in Bergen, enthusiasts of nationalist poetry in the capital also founded a new theater in direct competition with the conservative, Danish-influenced Christiania Theater. Asked to direct this new venture, Ibsen’s promised salary was twice the amount he received at Bergen, about six hundred specie dollars  The problems of Ibsen’s social dramas are consistent throughout all his works. Georg Brandes, a contemporary critic, said of Ibsen, as early as the 1860s, that “his progress from one work to the other is not due to a rich variety of themes and ideas, but on the contrary to a perpetual scrutiny of the same general questions, regarded from different points of view.”
Hedda Gabler, with its emphasis on individual psychology, is a close scrutiny of a woman like Nora Helmer or Mrs. Alving, who searches for personal meaning in a society which denies freedom of expression". link.

The Det norske Theater is a former theater in Bergen, Norway, and regarded as the first pure Norwegian stage theatre. It opened in 1850 by primus motor, violinist Ole Bull, and closed in 1863, after a bankruptcy. Norwegian (norsk) is a North Germanic language spoken mainly in Norway, where it is the official language. Along with Swedish and Danish, Norwegian forms a dialect continuum of more or less mutually intelligible local and regional varieties, and some Norwegian and Swedish dialects, in particular, are very close. These Scandinavian languages, together with Faroese and Icelandic as well as some extinct languages, constitute the North Germanic languages. Faroese and Icelandic are hardly mutually intelligible with Norwegian in their spoken form because continental Scandinavian has diverged from them. While the two Germanic languages with the greatest numbers of speakers, English and German, have close similarities with Norwegian, neither is mutually intelligible with it. Norwegian is a descendant of Old Norse, the common language of the Germanic peoples living in Scandinavia during the Viking Era. Wikipedia.

On November 6th 1973 two members of the urban militant group 'The Symbionese Liberation Army' killed school superintendent Marcus Foster and badly wounded his deputy, Robert Blackburn, as the two men left an Oakland school board meeting. Two months later on January 10th 1974 Joseph Remiro and Russell Little were arrested, charged and convicted of the murder of Marcus Foster. They would become the focus of a ransom note (February 7th) mailed by the Symbionese Liberation Army shortly after the kidnapping of Patricia Campbell Hearst on February 4th 1974. It read "We're holding your daughter Patricia Hearst and we're never going to give her back to you unless you pigs let Remiro and Little out of prison." On April 15th 1974 members of the Symbionese Liberation Army, including Patricia Hearst brandishing an M1 carbine, burst into the Hibernia Bank branch at 1450 Noriega Street, San Francisco, stole $10,000 and shot two civilians. Money needed to secure housing and supplies to continue their recruitment of new members to the cause, and carry on the fight to release their jailed comrades.

At about the same time, the Badlands film directed by Terrence Malick, and starring Martin Sheen and Sissy Spacek was on general release in New York (24th March 1974) and Los Angeles (29th March 1974). The story, though fictional, is loosely based on the real-life murder spree of Charles Starkweather and his girlfriend, Caril Ann Fugate, in 1958. The San Francisco Chronicle ran advertisements for the film, which may very well have prompted a reaction from the Symbionese Liberation Army, who were still fighting for the release of S.L.A  members Joseph Remiro and Russell Little. On May 8th 1974 a communication was mailed to the San Francisco Chronicle, stating "Sirs -- I would like to expression my  consternation concerning your poor taste + lack of sympathy for the public, as evidenced by your running of the ads for the movie "Badlands," featuring the blurb: "In 1959 most people were killing time. Kit + Holly were killing people." In light of recent events, this kind of murder-glorification can only be deplorable at best (not that glorification of violence was ever justifiable) why don't you show some concern for public sensibilities + cut the ad?  A citizen." The Symbionese Liberation Army [supposition] could not understand, from their perspective, the hypocrisy of running advertisements for the 'Badlands' movie glorifying the murder of innocent civilians, while at the same time aiding their newspaper circulation by protracted coverage of the murder of Marcus Foster by Remiro and Little. The Chronicle, as they saw it, was benefiting financially from the murder-glorification of "recent events" (Marcus Foster) that they personally felt wronged by.  

In the FBI files regarding the Symionese Liberation Army (shown above), a memorandum dated 30th April 1974 indicated that  the Hearst Corporation was prepared to offer a 4 million dollar food plan on May 3rd 1974 for the safe return of their daughter. The Sunday San Francisco Examiner asking for "citizen assistance" had already run a feature article on April 28th 1974 (based on the file information), which resulted in the paper receiving 75 telephone calls offering information regarding S.L.A members. Only 10 days later, on May 8th 1974, the 'Citizen' card arrived at the San Francisco Chronicle, scolding the paper for its movie advertisements, before signing off the letter with "A Citizen". I'm sure the irony wasn't lost on the Symbionese Liberation Army.  

In a previous article entitled 'The Symbionese Liberation Army and the Zodiac Killer', an S.L.A member was considered as the possible author of the February 3rd 1974 S.L.A letter because of the "Old Norse" reference. Sara Jane Olson (born Kathleen Ann Soliah on January 16, 1947) was a member of the Symbionese Liberation Army in the 1970s. She grew up in Palmdale, California, the daughter of Norwegian-American parents. So, can we wipe away any preconceived notions about the S.L.A letter, Badlands card and Red Phantom letter with respect to the Zodiac Killer, and view them from the perspective of having been written by a woman, or at the very least, a member or affiliate of the Symbionese Liberation Army. Here is the text from the three communications:
[1] The S.L.A letter: Dear Mr Editor, Did you know that the initials SLAY spell "sla", an old Norse word meaning "kill". a friend.

[2]The Badlands card: Sirs -- I would like to expression my consternt (crossed out) consternation concerning your poor taste + lack of sympathy for the public, as evidenced by your running of the ads for the movie "Badlands," featuring the blurb: "In 1959 most people were killing time. Kit + Holly were killing people." In light of recent events, this kind of murder-glorification can only be deplorable at best (not that glorification of violence was ever justifiable) why don't you show some concern for public sensibilities + cut the ad?  A citizen.
​ 
[3]The Red Phantom letter: Editor: Put Marco back in the hell-hole from whence it came- he has a serious psychological disorder- always needs to feel superior. I suggest you refer him to a shrink. Meanwhile, cancel the Count Marco column. Since the count can write anonymously, so can I----the Red Phantom (red with rage).

Other than the psychological connection we touched upon in the Edward C. Adams article, what other possible reasons would the Zodiac Killer have for addressing Count Marco, a columnist who gave outrageous advice to women via the San Francisco Chronicle for 15 years. A murderer, who didn't give a second thought to shooting two women a total of 10 times, before also ruthlessly stabbing Cecelia Shepard in the back and abdomen 10 times, was now, just a few years later, objecting to "murder-glorification" and bigoted advise to women. A man devoid of empathy and driven by an insatiable ego had now become the proverbial "snowflake", quivering and upset because of an advice columnist and a film advertisement. Had the Zodiac Killer really achieved a complete transformation in just a matter of three years. If we believe the Exorcist letter as genuine Zodiac material, stating "If I do not see this note in your paper, I will do something nasty, which you know I'm capable of doing", then the transformation had occurred in just over 3 months.  

The Zodiac Killer could have been toying with the newspapers, disingenuously feigning concern while laughing at the authorities - or he was simply not the author of these banal communications that surfaced in 1974.

The Symbionese Liberation Army didn't have unrealistic ideals, but unfortunately used contemptible means to achieve them.

"In his manifesto "Symbionese Liberation Army Declaration of Revolutionary War & the Symbionese Program", Donald DeFreeze wrote, "The name 'symbionese' is taken from the word symbiosis and we define its meaning as a body of dissimilar bodies and organisms living in deep and loving harmony and partnership in the best interest of all within the body. "This political symbiosis DeFreeze describes means the unity of all left-wing struggles, feminist, anti-racist, anti-capitalist, and others. DeFreeze wanted all races, genders, and ages to fight together in a left-wing united front, and to live together peacefully". Wikipedia.

​With many female S.L.A members aligned with feminist ideals, would it be that difficult to believe, that the Red Phantom letter was aimed at Marc H. Spinelli (Count Marco) and his San Francisco Chronicle column because of its often belittling or denigrating comments towards women?

​"Betty Friedan, whose 1963 book The Feminine Mystique is credited with reviving the feminist movement, originally called the strike at the conference of the National Organization for Women in March. As head of the hastily assembled National Women's Strike Coalition, she had predicted an impressive turnout. Inevitably, the women had their detractors. The San Francisco Chronicle's Count Marco called the strike "a day of infamy and shame" and urged his supporters to wear black armbands "mourning the death of femininity." link. 
"Count Marco was an extremely popular columnist for the San Francisco Chronicle with an outrageous persona; this book of advice (Beauty and the Beast) on how to please a man was mainly for the ladies of "The Greatest Generation" and pre-boomers, whom it surely shocked and annoyed with its sexual frankness and its assumption that American women had everything to learn from European women; feminist readers now would be shocked by his assumption that women's lives are empty without masculine love and their main goal in life should be to please their "beasts." link.  In other words, the Red Phantom letter was authored by a female member of the Symbionese Liberation Army (or a male member with a belief in feminism) in order to confront the opinionated columnist. 

I am not a staunch advocate of handwriting analysis due to its subjective nature and the fact it can be disguised, but here is the Red Phantom letter next to an extract taken from a Symbionese Liberation Army notebook - written before the kidnapping of Patricia Hearst on February 4th 1974.