The canonical murders of Jack the Ripper began on August 31st 1888 with the brutal murder of Mary Ann Nichols in Buck's Row, her throat severed, her vagina stabbed and her lower abdomen partly ripped open to expose her bowels. This grisly affair was followed on September 8th 1888, when the body of Annie Chapman was discovered in the back yard of 29 Hanbury Street, Spitalfields. She had also suffered deep cuts to her throat and abdomen, but this time the killer had removed her small intestine and placed it on her right shoulder, and excised part of her stomach and deposited it on her left shoulder. Annie Chapman's uterus was missing, along with parts of her bladder and vagina. 

Elizabeth Stride and Catherine Eddowes both met their fate on September 30th 1888, with Elizabeth Stride being found in Dutfield's Yard, having received one knife wound to her neck. The severity of her injuries were believed to be considerably less because of the arrival of Louis Diemschutz, the steward of the International Working Men's Educational Club, who arrived at the location in his horse and two-wheeled cart. The killer, now unable to perform the mutilation of the corpse as in previous attacks, sought out Catherine Eddowes less than an hour later, cutting her throat and once again ripping her intestines from her body. Her left kidney and the majority of her uterus had been taken from the site of the murder. The final attack, that of Mary Jane Kelly inside her single room at 13 Miller's Court on November 9th 1888 is almost impossible to describe, other than to say that her body was destroyed beyond recognition.          

Jack the Ripper was fond of removing various body parts, some of which he carried away from the crime scene and some he left on public display for the whole world to see. This sickening display of the grotesque was the seeming ambition of the Confession letter author in Riverside on November 29th 1966, who confessed that he wanted to mutilate furher victims, stating that he would "cut off her female parts and deposit them for the whole city to see" and had recently "finished the job out cutting her throat", referring to the October 30th 1966 murder of Cheri Jo Bates. The Confession letter author issued the Riverside Police Department a stark warning, that he was "stalking your girls now", just like the Ripper had done in the dimly lit streets of Whitechapel, 78 years earlier.

Five days before the Confession letter was postmarked, a newspaper article from the Press-Enterprise told of the recent murder of Cheri Jo Bates and postulated a connection to the abduction of a 19-year-old girl on November 22nd 1966. The perpetrator in this case invoked the name of "Jack the Ripper", by stating "Well, after all, I'm not Jack the Ripper" after she refused to enter his vehicle. This led me to explore the idea that the author of the Confession letter, who plagiarized key phrases from this newspaper article, had also been inspired to create a typed letter using the sadistic reportings of Jack the Ripper. The promise to cut off female parts, the stalking of girls, and the casual and brutal way he described cutting the throat of Cheri Jo Bates - synonymous with the Whitechapel murderer - required further exploration to see whether this was coincidental or a deliberate choice by the Confession letter typist. And indeed, if the author of the letter was the killer of Cheri Jo Bates.         

To discover material on Jack the Ripper, the easiest route for the killer in 1966 was to use the Riverside library (possibly) on his doorstep, writing a poem on the desktop in between his searches of the microfiche reels. The Riverside City College library may have been convenient for him, but any library would have sufficed. Today, I approached the task at hand by typing in key phrases from the Confession letter, and/or the year 1888, to see if the newspaper archives churned up any interesting results, whereas in 1966 the task would have been a bit more arduous and labor intensive. However, it would have been easily  accomplished by somebody who was determined enough, who was prepared put considerable thought into his compositions. Somebody like the Zodiac Killer.

The following section of the Confession letter looked contrived, stating "When we were away from the library walking, I said it was about time. She asked me "about time for what". I said it was about time for her to die". The last phrase reading "I said it was about time for her to die" appeared over-dramatic and had a punchline effect, as though it had been borrowed for purpose from elsewhere. I typed the shortened phrase of "it was about time for her to die" into the newspaper archive and it produced only one result in 336 years. That year was 1888, the year of Jack the Ripper. Alongside the stories of Jack the Ripper in 1888 was the accompanying story of "The Sturdy Beggar", who attempted to scrounge food from a woman inside her home and placed his hand into his hip pocket (probably reaching for a presumed knife) and stated that "it was about time for her to die".​ Had the Confession letter author added this phrase into his communication to bolster the Jack the Ripper theme of "body parts" and "cutting her throat"?

​In 1927, multiple American newspapers reported the Ripper like murders from New York, spanning the previous 15 years. The first in 1912, detailed the savage knife murder of Julia Connors by Nathan Swartz, who wrote a confession letter after the killing and an additional message on a soiled linen collar with a lead pencil, reading "I am guilty. I am insane", using five of the same words from the Riverside Confession letter, which read "I am not sick. I am insane". Two stories, loosely connected to Jack the Ripper, with two perinent phrases. But there had to be more.

On October 27th 1970, the Zodiac Killer mailed the Halloween card with the skeleton of an unknown victim. One observer of this communication by the name of Phil Sins contacted San Francisco Chronicle newspaper reporter, Paul Avery, believing that the greeting card was insinuating the murder of Cheri Jo Bates, whose lifeless body was discovered by a Riverside groundskeeper on Halloween morning in 1966.

It turned out that the prominent word "by" was shared 6 times by the Halloween card and the two typed Confession letters. The Halloween card author also used the signature "Z" for the first time, that was suggested by Paul Avery as the signature present on two of the three Bates' letters on April 30th 1967. The presumed connection was laid bare by Paul Avery in a comprehensive newspaper article in the San Francisco Chronicle on November 16th 1970. By claiming a connection between the Zodiac Killer and the Riverside communications, Paul Avery was suggesting that the murder of Cheri Jo Bates may have been the early work of the Zodiac Killer. To see if this has any validity, I decided to explore the Jack the Ripper connection a little further. Did the Zodiac Killer select the Halloween card with wording similar to the Confession letter?

​The wording on the selected Halloween card inner read "But, then why spoil our game. Happy Halloween". The typed Confession letter read "I then finished the job by cutting her throat. I am not sick. I am insane. But that will not stop the game". One communication didn't want the game spoiled, while the other pledged to not to stop the game.

On October 16th 1888 the "From Hell" letter, addressed to George Lusk, the president of the Whitechapel Vigilance Committee, arrived inside a cardboard box from somebody claiming to be Jack the Ripper. It contained a "body part" in the form of half a kidney, with the message "Mr Lusk, Sor I send you half the Kidne I took from one woman and prasarved it for you tother piece I fried and ate it was very nise. I may send you the bloody knif that took it out if you only wate a whil longer". signed "Catch me when you can Mishter Lusk". 

​Just before Halloween, on October 29th 1888 (one day before the date Cheri was murdered), a letter was sent to Dr. Openshaw, who performed the medical examination on the portion of kidney received by George Lusk. The letter stated "Old boss you was rite it was the left kidny i was goin to hoperate agin close to you ospitle just as i was going to dror mi nife along of er bloomin throte them cusses of coppers spoilt the game but i guess i wil be on the jobn soon and will send you another bit of innerds. Jack the Ripper. O have you seen the devle with his mikerscope and scalpul a-lookin at a kidney with a slide cocked up". 

This letter arrived on October 29th 1888, Cheri Jo Bates was murdered on October 30th 1966, her body was found the next day on Halloween morning, and the Confession letter about Cheri Jo Bates contained many plausible links to Jack the Ripper (shown above). The Halloween card contained the phrase "spoil our game", that somewhat mirrored "spoilt the game" from the Openshaw letter, and "stop the game" from the Confession letter. Throw in "The Most Dangerous Game" and we have a cocktail of "games". You may also notice that the Openshaw letter described murder as a "job", just like the Confession letter author, who typed "I then finished the job out cutting her throat".  Many Ripper letters use the word "job" in respect to the killing of women.
​
​Four months after reading the San Francisco Chronicle article by Paul Avery (on November 16th 1970), the Zodiac killer replied to the claim he was involved in Riverside, by stating on March 13th 1971 "I do have to give them credit for stumbling across my riverside activity, but they are only finding the easy ones, there are a hell of a lot more down there". Not only was the Zodiac Killer invoking the word "hell" and using similar phraseology from the Bates' letters that "there will be more", he was apparently accepting his involvement to some capacity in the murder of Cheri Jo Bates. If that "activity" was suggestive of the communications, involving the Confession letter with Jack the Ripper overtones, then it's really curious that his next two widely published letters (mailed to the San Francisco Chronicle) on January 29th 1974 and April 24th 1978, began using the Jack the Ripper valediction of "yours truley" and "yours truly", that the Whitechapel murderer used in the majority of his letters from 1888. If the Zodiac Killer was responsible for the "riverside activity" down south, was his use of "yours truley" and "yours truly" in these following communications a case of playing more "games" with law enforcement? The continuation of the Jack the Ripper theme in these letters laying bare his character - and belatedly pointing a finger to the secrets of the Confession letter, now that his Riverside connection had finally come to light?

In his July 31st 1969 letters and 408 cipher, the Zodiac Killer would delve into the distant newspaper archive of 1932 to create the significant phrase of "man is the most dangerous animal of all", which he plagiarised from the utterances of Merian C. Cooper, the associate producer of "The Most Dangerous Game". Was the same archival  technique used to fashion the typed Confession letter in 1966, borrowing the wording of "it was about time for her to die" from "The Sturdy Beggar" in 1888, with both the Riverside and Bay Area communications created by the cunning disposition of one author and one mind?   ​
​THE HISTORICAL SIGNIFICANCE OF MURDER.

Many people have asked the obvious question of why did the Zodiac Killer make the effort of obtaining a second Halloween card to painstakingly cut out the skeleton from this card to paste onto the October 27th 1970 card we are all familiar with? Thanks to the great work of SmallOrbit from the Reddit platform, we now know the identity of that second Halloween card. The Zodiac Killer would also cut out a rectangular section from around the eyes of a young girl from the inner portion of this second card, to affix onto the skeleton in the appropriate place. It appears as though a additional skeleton was pivotal to the choice of the Zodiac Killer once his October 27th 1970 Halloween card was opened. It may also be significant that he took the time to add the eyes of a female to the skeleton he pasted on his card inner. Bearing in mind that the Zodiac Killer was now claiming a fourteenth victim - and Donna Lass is the only victim he has ever claimed between July 26th 1970 and October 27th 1970 - we could be forgiven for believing the skeleton with the female eyes was meant to be Donna Lass. The thirteen eyes (representing thirteen souls) looking at the latest Zodiac victim in skeletonized form.

This 1970 greeting card, and the Pines postcard on March 22nd 1971, were the only two mailings by the Zodiac Killer to San Francisco Chronicle journalist, Paul Avery. The Pines postcard, with its "Lake Tahoe" reference and punch-hole, is widely believed to be referencing the burial site of Donna Lass. It's almost as though the Zodiac Killer was directing Paul Avery and law enforcement to the remains of Donna Lass on March 22nd 1971, who he had implied was his fourteenth victim by addressing Paul Avery five months earlier. If the Zodiac Killer was claiming Donna Lass as somebody he murdered in the Pines postcard on March 22nd 1971 - and he only raised his victim count by one between July 26th 1970 and October 27th 1970 - then the Halloween card's fourteenth victim had to be Donna Lass, who disappeared between these dates on September 6th 1970. There really isn't any other option.​

Having fashioned thirteen "floating eyes" on the Halloween card inner to possibly represent his previous victims, it may have necessitated the adding of female eyes to the skeleton's skull to represent his current victim. With the choice of a skeleton being representative of the time elapsed between September 6th 1970 and October 27th 1970, and the probability that Donna Lass had been buried in a shallow grave somewhere around Lake Tahoe, unlike his previous victims, who were discovered at the site they were murdered. It's possible that the choice of skeleton was indicative of Zodiac's lack of faith in law enforcement to find Donna Lass in the next few months, until such time he provided additional clues to the police to aid in the discovery of her body (such as the Pines postcard). But why would the Zodiac Killer choose to bury his latest victim, something he had never done before?

​Maybe because of his fascination with puzzles, having previously given us a code and map on June 26th 1970, in which he claimed to have buried a bomb somewhere in northern California. Then followed this up on July 26th 1970 by giving us the phrase "The Mt. Diablo Code concerns Radians & # inches along the radians", to further help pinpoint its location. If the Bay Area murderer was prepared to play games with a bomb, why wouldn't he play games with a body? This isn't beyond comprehension, because he mailed the cryptic Pines postcard on March 22nd 1971 with a punch-hole and associated directional markers, such as "pass Lake Tahoe areas", "Sierra Club" and "around in the snow". These were obvious location points designed to direct law enforcement to a specific area beyond the lake. In 2024, I used the punch-hole and the directional aids on the Pines postcard to identify an area by Chubb Lake and Yuba Gap, just 1,000 meters from where the partial remains of Donna Lass had been discovered in 1986 (but not identified until 2023). The punch-hole sat over the remains of Donna Lass.

It was also interesting that the Zodiac Killer had chosen a 1962 UX48 Abraham Lincoln postal card on March 22nd 1971, lacking postage and issued nine years before this mailing. So was the Abraham Lincoln card chosen for a specific reason? I noticed that the address side of the postcard had the crosshairs and "Zodiac" around the punch-hole, with the upper point of the crosshairs touching the letter "D", which was the first initial of "Donna". Across from this was the "Abraham Lincoln" stamp with the initials "A" and "L". If the punch-hole represented the burial location of Donna, then this could have been fashioned to read "D .A. L" or Donna Ann Lass. The front of the postcard pointing to her name, and the reverse side pointing to her burial location.  ​

Therefore, we have two cards, both addressed to Paul Avery in the space of five months. The Pines postcard appeared like a cryptic puzzle giving us clues to the name and burial location of Donna Lass, with the October 27th 1970 Halloween card only increasing the victim count by one since July 26th 1970, spanning the period that Donna Ann Lass was last seen at the Sahara Tahoe Hotel & Casino. A Halloween card, in which the Zodiac Killer went to great pains to add a second skeleton with female eyes to the card inner.

But what would be the point of burying Donna Lass and playing this quite extraordinary game of "hide and seek" with her body? Even if law enforcement had identified the general area of a possible burial site from the Pines postcard directions, there would be no guarantee they would find the specific location of her body after months or years had elapsed. I wonder if her burial site had been marked by the signature of Zodiac. On something like a heavy rock, that would stand the test of time? Although this may seem unlikely, it falls a long way short of impossible. 

On October 6th 1970, the Zodiac Killer mailed the 13-Hole postcard with the number 13 on the card, so why didn't the Zodiac Killer raise his victim count to fourteen here, if indeed, he was the murderer of Donna Lass on September 6th 1970? It is possible he wasn't ready to yet lay claim to this murder for any number of reasons, but could have pasted the phrase "Fk I'm crackproof" to indicate he had now achieved "Fourteen kills" (or "Fourteen killed") as another cryptic clue. The use of fourteen within this card could have begun the theme of "fourteen", which continued in the Halloween card three weeks later by way of "14" and "4-TEEN". The Halloween card symbol on the envelope and card inner also appeared to have the letter "F" in its design, so the Zodiac may have replaced "Fourteen killed" with "Zodiac Fourteen".

However, this doesn't change the fact that the Zodiac Killer, according to most researchers, was claiming the murder of Donna Lass on March 22nd 1971, and his victim count only increased by one between July 26th 1970 and October 27th 1970. Therefore, the Zodiac Killer, by mailing the Pines postcard on March 22nd 1971, has left us with the inevitable conclusion that the Halloween card must have been claiming Donna Lass as victim number fourteen. This being the case, are we to conclude that the skeleton he pasted onto the Halloween card inner, was the imagery of his misdeeds near Yuba Gap in Placer County? 

If the Zodiac Killer was the abductor and murderer of Donna Lass from the Sahara Tahoe Hotel on September 6th 1970, then one might have expected him to claim or insinuate her murder in his next communication, the 13-Hole postcard. Despite later suggesting his involvement in her murder on March 22nd 1971 when the Pines card was mailed, he never increased his victim count from the July 26th 1970 "Little List" letter to the 13-Hole postcard on October 5th 1970 by the Zodiac Killer, which spanned her abduction. Or did he increase the victim count and we simply didn't recognise it? The Pines postcard and 13-Hole postcard both contained punch-holes (suggestive of victims), both contained pasted text, and both carried inverted wording within the postcard. The inverted phrase of "around in the snow" on March 22nd 1971 was clearly referring to the murder and burial location of Donna Lass, so where was the reference to Donna Lass in the inverted text on October 5th 1970?

The construction of the October 5th 1970 postcard may have began just over two weeks after the disappearance of Donna Lass, because all the newspaper cuttings identified on the postcard were sourced from the Oakland Tribune, San Francisco Chronicle and San Francisco Examiner (all separated by only 9 miles)  The cuttings were taken from publications dated September 23rd and 25th. 

On the day the 13-Hole postcard was mailed, a newspaper article by The Orlando Sentinel carried the headline "Zodiac, Killer Of 5 or 13, Silent As Police Wait". The 13-Hole postcard carried a cutting of the number 13 and used the word "police" in the inverted text - so was this section of text giving us a clue to the total victims killed, which now included Donna Lass? The text read "There are reports city police pig cops are closeing in on me. Fk I'm crackproof. What is the price tag now?" Could this have been cryptic in nature, just like the Pines card mailed 5 1/2 months later, telling us surreptitiously that he was the murderer of Donna Lass and reading "There are reports city police pig cops are closeing in on me. Fourteen killed I'm crackproof. What is the price tag now?" In other words, responding to The Orlando Sentinel headline of "Zodiac, Killer Of 5 or 13" on October 5th 1970 (or earlier newspaper that carried the same or similar question).  

​It would mean that the main body of the postcard was reiterating the victim count from the Little List letter on July 26th 1970, but teasing us with the cryptic clue of "Fk" to suggest that there were now "Fourteen killied" in total. This may have been repeated when the Halloween card arrived 22 days later, on October 27th 1970, when he added 13 "floating eyes" to the card, but added the number "14" on the hand of the first skeleton, placed "4-TEEN" atop of the second skeleton, and used the letter "F" once again in the strange symbol at the foot of the card (and on the envelope). The "F" in "Fk" on the 13-Hole postcard may have denoted the number fourteen. The "F" in the strange symbol on the Halloween card may have also denoted fourteen, by combining "Z" and "F" to give us "Zodiac Fourteen". The four dots giving us a clue that "F" meant fourteen. This would mean that the Zodiac Killer gave us two cryptic clues containing the letter "F" in a span of 22 days. The Zodiac Killer could also have added the 14th punch-hole of his career to the Pines postcard, to make up for the one he deliberately withheld from the 13-Hole postcard on October 5th 1970. A postcard in which he decided to use "Fk" instead. But did the Zodiac Killer specifically invert his text in two postcards to represent one victim? That of Donna Lass.

On the morning of October 27th 1970 the San Francisco Chronicle featured an article by Paul Avery entitled "A Jack the Ripper Theory on Slayings", highlighting the recent murder of Jackie Truss (16) on October 24th 1970, whose tortured, slashed and beaten nude body was discovered in the early morning hours on the "tree-lined" Laurel Street (between Jackson & Pacific Streets) in Presidio Heights. She had ligature marks on her wrists, her throat and eyelids had been slit with a knife, she had been partially disemboweled and her killer had tortured her "by fire".

Jackie Truss was the third in a series of similar murders, beginning with Brenda Joyce Vance (23) on August 4th 1970, who had also been tortured, burnt and bludgeoned to death, and found on the sidewalk of Golden Gate Avenue. On August 30th 1970 Janice Smith was discovered in a condemned dwelling on Webster Street, having been tied, slashed with a long-bladed dagger and burnt. In 1973 somebody was eventually charged with the first two murders and was thought to be responsible for the third. The final murder was unlikely to have been committed by the Zodiac Killer, but did he mail the Halloween card to Paul Avery on the afternoon of October 27th 1970 in response to the newspaper article by Paul Avery from that morning, entitled "A Jack the Ripper Theory on Slayings"? After all, the Zodiac Killer wasn't immune to insinuating his involvement in murders he played no part in. He never outright claimed the murders of Donna Lass, Kathie Snoozy and Debra Furlong, but left many cryptic clues throughout his campaign of literary terrorism suggesting he was the responsible.  

The Little List letter on July 26th 1970 (but not released to the public until October 12th 1970 by Paul Avery) told of the Zodiac Killer's desire to "torture all 13 of my slaves that I have waiting for me in Paradice" and that "Others shall have pine splinters driven under their nails + then burned". The Zodiac Killer continued his infatuation with torture, writing that "Others will hang by their thumbs + burn in the sun". The newspaper article below about Jackie Truss, released in the days before the Halloween card, told of a girl "tortured by fire", with a fractured skull and slit eyelids, lying on a "tree-lined" street, that were all key ingredients on the Halloween card, which contained a victim count above the skull, thirteen eyes (with eyelids and eyelashes) and the four methods of death "By Fire, By Gun, By Rope and By Knife". The Halloween card also had red eyes added to the skull on the card outer. A card that was personally addressed to Paul Avery, who had written about the knife slaying of Jackie Truss, whose body was found in Presidio Heights days earlier, who had been tortured "by fire".

Jackie had been living with a man in the Marina District at the time of her death, who police were attempting to trace at the time of this newspaper article. It was suspected that she had been murdered at a residential location and dumped adjacent to 55 Laurel Street near the Presidio Park, evident by the lack of blood at the crime scene, not withstanding the fact that this location was not conducive to such a depraved murder. It was estimated that she had been dead for less than one hour when her body was discovered by two college students on Saturday, October 24th 1970 at 2:45am.   

Thanks to Zodiac researcher Cragle for sending me this information. ​

In January 1969 the "Inside Detective" magazine revealed details of the Cheri Jo Bates murder and the Confession letter mailed on November 29th 1966. The young woman was found close to the Riverside City College library on Halloween Day morning (October 31st 1966) by college caretaker, Cleophus Martin​.

Fast forward to October 27th 1970 and the Halloween card mailed by the Zodiac Killer, which Phil Sins believed contained characteristics of her murder and the 1966 typed letter. One of the main features of the Halloween card was the wording By Fire, By Gun, By Rope and By Knife, with the two Confession letters beginning with "The Confession" and the word "By", followed by several underscores. The Halloween card also featured the signature of "Z" for the first time, that three weeks later, on November 16th 1970, would become a pivotal argument of Paul Avery that the Zodiac Killer was claiming the murder of Cheri Jo Bates by using the letter "Z" to sign off two of the "Bates Had to Die" letters on April 30th 1967. In fact, the Halloween card communication used the letter "Z" twice, just like the 1967 letters (which had not been publicly released by October 27th 1970). This, off the back of the Little List letter on July 26th 1970, which contained the line "Some I shall tie over ant hills and watch them scream + twich and sqwirm" and appeared to borrow wording from the Confession letter. However, this falls short of producing an undeniable link between Riverside and the Zodiac Killer. We must find something from 1966 that was unreleased to the public, which the Zodiac Killer could have slipped into his Bay Area communications. The obvious place to look was the two communications following the Halloween card.

On March 13th 1971, the Zodiac Killer insinuated his involvement in either the murder of Cheri Jo Bates or the Riverside communications by writing "I do have to give them credit for stumbling across my riverside activity, but they are only finding the easy ones, there are a hell of a lot more down there". He followed this up with the Pines postcard on March 22nd 1971, which like the Halloween card, was personally addressed to Paul Avery. Because Paul Avery authored the newspaper article on November 16th 1970 about Riverside and the Confession letters, did the Zodiac Killer give any incontrovertible proof of his involvement in Riverside in the only communication that carried the name of Paul Avery subsequent to this date? (ie: the Pines postcard).

​The only time the Zodiac Killer used the word "attention" in his address on an envelope or postcard, was when he wrote "att. Paul averly=chronicle" on the address side of the Pines postcard. The only other time we see the word "attention" within the address of a communication linked to Zodiac, was the Confession letter envelope mailed to the Daily Enterprise in Riverside, with the wording "attn: crime". Bearing in mind that Paul Avery was instrumental in featuring the Confession letters in his newspaper article on November 16th 1970, it is noteworthy that the Zodiac Killer combined "attention" and "Paul Avery" four months later (on March 22nd 1971), when this same word was also abbreviated on the Confession letter envelope to the Daily Enterprise newspaper in 1966. It is standard practice to use the abbreviated form of "attention" (accompanied by a name) above the address on an envelope or postcard, but in both the Confession letter and Pines postcard the author abbreviates the word "attention" in the bottom left corner, under the address, Was this a further subtle clue of Zodiac's involvement in the Riverside communications? However, the Confession letter envelope mailed to the Daily Enterprise newspaper was released to the public on December 1st 1966 (see below).  PART TWO.   

It has always been difficult to reconcile how the Zodiac Killer could be claiming Donna Lass as a victim when he failed to increase his count from the time of the Little List letter to the 13-Hole postcard, which spanned her disappearance on September 6th 1970 but maintained the victim count of thirteen.

On October 27th 1970, the Zodiac Killer attached the number 14 to the skeleton's hand to signify an increase in the victim count, next to the text "I feel it in my bones, you ache to know my name, and so I'll clue you in". What if the Zodiac Killer was asking us to guess the name of his fourteenth victim, who was represented by the skeleton, necessitating the adding of a blindfolded skeleton on the card inner to symbolize an identity hidden, with the wording "But, then why spoil our game". 

​The 13-Hole postcard may have used thirteen punch-holes to represent thirteen victims, the Pines postcard may have used one punch-hole to represent the murdered and buried Donna Lass, but in the Halloween card the Zodiac Killer only added 12 eyes to the one in the knot-hole of the tree, to make thirteen again. So was the inner skeleton our fourteenth unidentified victim that the thirteen eyes were looking at, with the author playing a sort of cryptic game to discover the victim's name? The sort of cryptic game he played with the Pines postcard, which also never made it clear what victim he was referring to.

In the Pines postcard it has been widely considered that the punch-hole was the burial site of Donna Lass, and we had to "peek through the pines" to discover her grave. This methodology may have been employed in the Halloween card with the eye looking through the hole in the tree, with the wording "peek-a-boo you are doomed". In other words, we had to "peek.through the pines" to discover her skeleton. The hole in the tree and the hole in the Pines postcard both being a window to death. The number count atop of the skeleton signifying a new, but yet undiscovered head count - and symbolic of a victim undiscovered for 51 days.

​This could play into the notion of the strange design on the envelope and card inner, where a case can be argued for a joined "L" and "F" with 4 dots in between, signifying "look four fourteen" or "look for fourteen" from a phonetic standpoint. With all thirteen eyes trained on the inner skeleton facing right, it's possible the author is asking us to look for a victim he was keeping close to his chest in some sort of macabre game (whether he was responsible or not). A game he would reinvent on March 22nd 1971. By October 27th 1970 it was still unknown what had happened to Donna Lass, so it's possible the Zodiac Killer played on this uncertainty in this card and the one five months later, which were both linked through journalist Paul Avery.  ​

Was the position of the pasted skeleton on the Halloween card inner representative of the "Danse Macabre", in which skeletons escort living humans to their graves in a lively dance. In this instance, the skeleton of Donna Lass leading us to her gravesite, not dissimilar to the Pines postcard, that seemed to carry instructions to her burial location. "The Danse Macabre, also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death. The Danse Macabre consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer. The effect is both frivolous and terrifying, beseeching its audience to react emotionally. It was produced as memento mori, to remind people of the fragility of their lives and how vain are the glories of earthly life. According to legend, Death appears at midnight every year on Halloween. Death calls forth the dead from their graves to dance for him while he plays his fiddle. His skeletons dance for him until the cockerel crows at dawn, when they must return to their graves until the next year". Wikipedia. 

When the Zodiac Killer sat down to put the finishing touches to his October 27th 1970 Halloween card, what inspired him to draw an eye mask on the second skeleton and use the prominent word "BOO" on the card inner? Maybe the Zodiac Killer was influenced by something he recently read or watched on the television (or both). The day before the card was postmarked (October 26th 1970), the San Francisco Examiner featured the "Bay Area's Most Complete Television Logs".. At 8:00 pm on the NBC network waa the extremely popular Rowan and Martin's Laugh-In, an American sketch comedy television program that ran for 140 episodes from January 22, 1968, to March 12, 1973, hosted by comedians Dan Rowan and Dick Martin. The Halloween edition of the show was aptly titled "The Halloween "Boo-In" hour, featuring special guests Orson Welles, Vincent Price and Rod Serling. It can be seen on the Internet Movie Database here. The hosts began the show by covering their eyes with eye masks as they addressed the audience. The show was heavily advertised statewide, many of which contained extensive coverage of the guests, storylines and sketches.

This isn't the most compelling or interesting observation regarding the Zodiac Killer case, but the "Boo-In" Halloween edition of the show did appear in a newspaper familiar to the Zodiac Killer, in an area he most likely lived, the evening before the Halloween card was postmarked. 

The Zodiologists website took a deep dive into the three Cheri Jo Bates letters mailed on April 30th 1967 and wrote "It can be reasonably assumed that the signature has a particular meaning beyond of just being a letter. If we should pick just one of the available options, we would say that the signature is a combination of the letter Z and the number 3. If it would be only the letter Z, there would be no need to write its top in flying-bird shape. The line at the bottom of the letter is straight. We also could not find a symbol that would resemble the signature. Therefore, we consider Z-3 as most plausible". 

​In the Confession letter, mailed on November 29th 1966, the author stated that Cheri Jo Bates was "not the first and she will not be the last", suggesting that the typist was claiming more than one victim. This conforms to the notion of a signature with an attached victim count, also displayed by the Zodiac Killer alongside his crosshairs in the numerous letters and cards he mailed. However, there is one communication that may have used a similar signature to that used in two of the Bates letters.

The Halloween card, mailed by the Zodiac Killer on October 27th 1970, gave us a victim count of "14" on the skeleton's hand, and fashioned the number fourteen as "4-TEEN", using the number "4" to express the word "four". The Zodiac Killer may have used the same tactic with the symbol on the envelope and card inner, using 4 dots to indicate that the "F" stood for "fourteen" rather then "fifteen". If the symbol on the Halloween card inner and outer denoted a victim count for a third time, we have the possibility of a joined "Z" and "F" denoting the fourteen victims claimed by the killer - extremely similar to the joined "Z" and "3" suggested by the Zodiologists website. If this hypothesis is true, it could indicate a common thread from Riverside to the Bay Area through the correspondence of a killer. It must also be noted that the Halloween card was the only confirmed communication to use the letter "Z" to denote the "Zodiac" pseudonym - and it used the letter "Z" twice - just like the two Bates letters (if you believe the premise). The Zodiac Killer also used the word "BY" in prominent positions four times within the Halloween card, mirroring the "BY" which headed both Confession letters. The use of a Halloween card to convey these similarities is pertinent to the fact that the body of Cheri Jo Bates was discovered on Halloween morning  

The Zodiac's Little List letter (July 26th 1970), believed by some to be the previous communication to the Halloween card, began his little list by misspelling "victim" to "victom", and wrote. "Some I shall tie over ant hills and watch them scream + twich and sqwirm". The Confession letter author began his little list by using the misspelling "victom", before typing "She squirmed and shook as I chocked her, and her lips twiched. She let out a scream once". The author of the Confession letter had a smaller list, but included "the beautiful blond that babysits near the little store" and "the shapely blue eyed brunett that said no when I asked her for a date". The Zodiac Killer could have fashioned the Little List letter and Halloween card to make journalists and/or law enforcement draw the conclusion he was responsible for the murder of Cheri Jo Bates in Riverside on October 30th 1966. This ultimately became the case, when Paul Avery presented the link in the San Francisco Chronicle on November 16th 1970, much to the dismay of law enforcement. 

The information regarding the Confession letters was readily available to the Zodiac Killer, when the Inside Detective magazine published a comprehensive article about Cheri Jo Bates in January 1969. However, the signature on two of the Bates' letters had not been published in the newspapers or magazines prior to October 27th 1970, making the possibility of two "Z's" and a victim count, deployed in Riverside and the Bay Area, through three communications and one killer, a viable proposition. If Riverside really was the Zodiac Killer, had he reset his victim total when switching from "Z" to the "Zodiac" pseudonym, beginning anew some 450 miles north? 

If we want to discover the motivation and design of a Zodiac communication, we usually have to look no further than one or two newspaper articles precedent to the correspondence in question. Can the preceding newspaper article in the San Francisco Chronicle on October 12th 1970 tell us anything about the Halloween card mailed on October 27th 1970, including an answer to the strange symbolism depicted on the envelope address side and card inner.

The newspaper article was entitled "Gilbert and Sullivan Clue to Zodiac". Therefore, it shouldn't be any surprise that the Zodiac Killer chose a greeting card that opened with the wording "From your secret pal. I feel it in your bones, You ache to know my name, And so I'll clue you in". This was the only communication thus far that contained white text, which the Zodiac Killer adopted by adding 4-TEEN, BOO and the symbolism at the foot of the card, rather than using pasted newspaper clippings. The Zodiac Killer was very likely claiming 14 victims when he wrote this total on the skeleton's hand on the front of the card, followed by a head count of 4-TEEN above the second skeleton on the card inner, and concluding with the symbolism at foot of the card. 

The Zodiac Killer likely combined his victim count of 4-TEEN with the claimed murders of four teenagers by October 27th 1970. Having claimed the August 3rd 1969 San Jose murders of Kathie Reyne Snoozy (15) and Debra Gaye Furlong (14) in his Dripping Pen card by the addiition of "Aug" within a monthly chronological victim count, the Zodiac Killer was effectively telling us that he was incorporating 4 teenagers in his Halloween card victim count of fourteen - David Faraday, Betty Lou Jensen, Kathie Snoozy and Debra Furlong. The October 12th 1970 newspaper article stated "And he is now claiming 13 persons. Homicide detectives who've been hunting Zodiac for nearly two years frankly admit he is as much an enigma now as he was on Dec. 20, 1968, when he chalked up his first two victims. On Dec. 20, 1968, he gunned down teen-agers David Faraday and Betty Lou Jensen". The Halloween card entry of a hyphenated 4-TEEN, not only incorporated his first two victims within his total, but "chalked them up" in blackboard style writing. The Zodiac Killer had written "14" on the hand of the first skeleton, "4-TEEN" over the skull of the second skeleton, so it could be argued that the symbolism at the foot of the card containing what appeared to be a joined "F", was likely "fourteen" as well  The symbolism could represent "Zodiac Fourteen" or "Zodiac Victims Fourteen" (with the four dots representing the four teenagers, just as he had incorporated them by separating "4" and "TEEN" earlier). His victim totals all neatly chalked up within the Halloween card.

The vast majority of the newspaper article was dedicated to the two act comic opera, The Mikado, and the search for individuals who may have played Ko-Ko in recent years, Many Zodiac researchers have considered whether the Zodiac Killer was of British origin, had British parents, or was influenced by British theatrical plays, based upon the language he adopted in his communications. It is extremely likely that the Zodiac Killer chose to write PEEK-A-BOO around the knothole of a tree because he knew the alternative British term for this saying.

​"Peekaboo (also spelled peek-a-boo) is a form of play played with an infant. To play, one player hides their face, pops back into the view of the other, and says Peekaboo!, sometimes followed by I see you!  There are many variations: for example, where trees are involved, "Hiding behind that tree!" is sometimes added. Another variation involves saying "Where's the baby?" while the face is covered and "There's the baby!" when uncovering the face". Wikipedia. A British term for "peek-a-boo" is "peep-bo" - which just happens to be one of the characters from The Mikado.

​The Zodiac Killer chose the introduction on the Halloween card outer in response to the newspaper article entitled "Gilbert and Sullivan Clue to Zodiac", because it stated "And so I'll clue you in". He then responded to this introduction by inserting "peek-a-boo" around the knothole of a tree, with an eye peering from within. A saying which has the alternative of peep-bo - a character from the Gilbert and Sullivan opera. The teaser of "I'll clue you in" and the answer of "peep-bo" both inspired by The Mikado featured in the October 12th 1970 newspaper article. The Zodiac Killer would not give us the Ko-Ko investigators were desperately attempting to track down, only the protector or ward of Ko-Ko.

Although I believe the Cheri Jo Bates murder and accompanying communications have nothing to do with the Zodiac Killer, it would be foolish to unequivocally rule out of any of the commonly mentioned pre-canonical crimes suggested as possibly being the work of the Bay Area killer. So let us once again examine the Halloween card on October 27th 1970, that inspired Phil Sins to contact American journalist, Paul Avery, shortly after its arrival at the San Francisco Chronicle, and point out his thoughts on the relationship between the Halloween card and the murder of Cheri Jo Bates on October 30th 1966. Even though a link between the Zodiac murders and Riverside had been considered the previous year by investigators, this wasn't common knowledge on October 27th 1970. Phil Sins was also unaware that three letters had been mailed to the Riverside Press Enterprise, Riverside Police Department and Joseph Bates on April 30th 1967 by somebody claiming to be the killer of Cheri Jo Bates.

​In 2012, Mike Morford of Zodiac Killer Net interviewed Phil Sins, who stated that despite going to the Riverside Police Department with Paul Avery "where the letters & desktop were discussed or shown", he himself did not get to see them. Therefore, he had no knowledge regarding the contents of the Bates' letters when he drew his original conclusions between the Zodiac and Riverside cases. And neither, have we yet proved, did the Zodiac Killer. This is why the Halloween card and the Zodiac Killer's previous letter, the Little List letter mailed on July 26th 1970, are so curious. If not responsible for any of the Riverside activity, the Zodiac Killer could have been aware of the Cheri Jo Bates case and the Confession letter when he mailed both the Little List letter and Halloween card, because the Inside Detective magazine published on January, 1969 featured both. However, he wouldn't have been aware of the three Bates' letters (had he not been the author).  

Had the Zodiac Killer read the Inside Detective magazine and thought now is the time to plant the seed in investigators minds that he may have been responsible for the Riverside murder? The Confession letter mailed on November 29th 1966 read "She died hard. She squirmed and shook as I chocked her, and her lips twiched. She let out a scream once and I kicked her in the head to shut her up". The Little List letter on July 26th 1970 read "Some I shall tie over ant hills and watch them scream + twich and sqwirm". Did the Zodiac Killer deliberately group this sequence of words together (including the misspelling of twich) to encourage individuals to draw the comparison between both communications and force investigators to strongly consider his involvement in the Riverside murder (and authorship of the Confession letter)? Or were these word comparisons sheer coincidence? Before you draw any conclusions, it is important to consider the Halloween card, which followed three months later.

The whole premise of the Halloween card cover was seemingly chosen on the understanding that when the card was opened it would reveal his name. One notable feature of the card was the prominence of the word "By", followed by the four methods of death. The Zodiac Killer had written "By Fire, By Gun, By Rope and By Knife". The 1966 Confession letter also tempted us with a name, when the author began his typewritten letters with "The Confession", followed by the word "By" and several underscores. The word "By" playing a significant role in both communications. We also have the Halloween theme running through the 1970 card and the Riverside murder of Cheri Jo Bates, whose lifeless body was discovered on Halloween morning. But it's the addition of the "Z" symbol (meant to infer "Zodiac") placed at the foot of the Halloween card that conjures the most interest. The Zodiac Killer had mailed 15 confirmed communications prior to October 27th 1970 (probably in excess of 20), yet he had never once used the letter "Z" to sign off a communication. In fact, no communication subsequent to October 27th 1970, verified or otherwise, ever signed off with the letter "Z".​

​The only time the Zodiac Killer used the letter "Z" as a signature, was in conjunction with Halloween on October 27th 1970. This is what is so interesting about the potential "Z" like signatures accompanying the April 30th 1967 Bates' letters, concerning the murder and discovery of Cheri Jo Bates' body on Halloween morning. Of course, the signatures on the Bates' letters may not have been the letter "Z", and the "Z" signature on the Halloween card may just have been a fortunate coincidence, but these three letters would have been unknown to Phil Sins when he contacted Paul Avery about a Zodiac connection. So, I suppose the discovery of the Bates' letters was an added bonus to Paul Avery when he entered the Riverside Police Department in 1970, and ultimately made the "Z" connection between the cases. Was it extremely fortunate for the Zodiac Killer to tie together Halloween, the prominent wording of "by" and the perceived "Z" signature - in combination with the common phraseology between the Little List letter and Confession letter, just three months previously - or did the Zodiac Killer deliberately place these markers on the Halloween card to plant a seed in the mind of investigators - or was he involved in the murder and/or letter writing in Riverside four years earlier?

The Zodiac Killer may have done exactly the same thing on November 8th 1969 when he claimed seven victims within the Dripping Pen card, forcing investigators to draw the conclusion he was responsible for the murder of Kathie Snoozy and Debra Furlong in San Jose on August 3rd 1969 by the addition of "Aug" in his chronological list of months. As he did on March 22nd 1971, mailing us another cryptic card, this time encouraging investigators to connect him to the Donna Lass disappearance on September 6th 1970 by the addition of "Lake Tahoe areas" and "Sought Victim 12". Once Paul Avery had connected the Riverside and Zodiac murders together, the Zodiac Killer then cemented that notion by giving "credit for stumbling across his Riverside activity". However, not once did he ever categorically claim or prove these murders were his. He only let investigators draw such a conclusion.  

The Zodiac Killer had a long memory when constructing a communication, often citing newspaper headlines and the content within them from many months and years earlier. On Saturday, November 1st 1969 the Vallejo Times-Herald ran an article entitled You Couldn't Tell It Was Halloween, expressing surprise that the Zodiac Killer had not written or made an appearance during the Halloween festivities, writing "He made no threats - in fact, he did not even communicate to police departments in the Bay Area about any plans he may be developing for Halloween. Nevertheless, parents and youngsters alike were on the extremely cautious side". Vallejo Police Chief Jack E. Stiltz warned it could be a very dangerous time for youngsters to be on the streets.

Whether the October 28th 1987 Zodiac letter was just a product of fortuitous language, or whether the Zodiac Killer religiously kept a scrapbook of newspaper articles about himself, is unknown. But this letter stated "Tell the blue pigs if want me I will be out driving around on Halloween in my death machine looking for some kiddies to run over. Cars make nice weapons. The pigs can catch me if They can find me out there. Just like in the movie The car. Tell the kiddies watch before They cross the street on halloween nite". Regardless of this distant future communication, the following Halloween after the November 1st 1969 article was published, the Zodiac Killer mailed the October 27th 1970 Halloween card to Paul Avery, referring to teenagers through the use of the word "TEEN". He also failed to use his pseudonym, and supplied us for the first time with the character "Z" (twice) as his identity, by way of a greeting card suggesting he was going to clue us in on his name, beginning "I feel it in my bones, you ache to know my name, and so I'll clue you in." The answer once the card was opened was "BOO", emblazoned in prominence. The strange symbolism in the card, in accompaniment to the letter "Z", was not only placed within the card, but positioned on the return address side of the envelope. Was this used to indicate his identity, as it may have been on the 408th plaintext character of the July 31st 1969 cryptogram.    

Two weeks prior to the November 1st 1969 newspaper article, on October 15th 1969, another article ran in the Los Angeles Times entitled Identity In Code? Zodiac Killer-Chilling Portrait Of Madness. The whole premise of the article was analyzing and ruminating on the identity of the Zodiac Killer, stating  "He could be old Mrs. So-and-So's boy, who never says boo and still lives at home. Or that batchelor that keeps to himself and never seems to have any fun". As a response to his name, one year later he would say "BOO" in the Halloween card. The article went on to examine the July 31st 1969 letters and cryptograms, along with the unsolved 18 characters at the foot of the 408 cipher, pondering whether "his name, or some other vital clue was written in the cryptogram". Did he finally give us the vital clue to the identity in the 408 cipher, when he used the character "Z" in the Halloween card for the very first time? See The Missing Line in the 408 Cipher. 

​It could be argued that the Zodiac Killer deliberately introduced himself as the "murderer" and "killer" in his July 31st 1969 letters to withhold his identity for the 408 character cryptogram. Possibly the identity of "Z", to which he would expand upon a few days later, when he introduced his now infamous "This is the Zodiac speaking" phrase. Maybe there were only 17 redundant ciphertext characters at the foot of the 408 cipher? 

Some people have considered that the Zodiac Killer may have worked at the San Francisco Chronicle newspaper offices, with inside information pertaining to the investigation days or weeks before its release to the general public. The Zodiac Killer could have (and probably did) mail in excess of twenty communications before October 27th 1970, but not one single communication expressed the Zodiac pseudonym in the form of the letter "Z". This would change on October 27th 1970, when for the first time the Zodiac Killer used the letter "Z" within his Halloween card mailed to Paul Avery. This departure from the norm came just fifteen days before a San Francisco Chronicle article published by Paul Avery on November 12th 1970, which wrote that "the printing on the 'Bates Had to Die' envelopes seemed to match exactly the desk top poem writing. And perhaps the most meaningful discovery was that two of the three notes had been signed with a "Z".

​The Halloween card was mailed by the Zodiac Killer on October 27th 1970, it was addressed to Paul Avery, it referenced Halloween and it contained the letter "Z". Fifteen days later, Paul Avery is reporting on Cheri Jo Bates being found murdered on Halloween morning, with the Bates' letters signed with a letter "Z". Paul Avery's article was likely triggered by somebody (Phil Sins) noticing similarities between the Halloween card and the murder of Cheri Jo Bates, but what were the chances of somebody recognizing something in the Halloween card in respect to the murder of Cheri Jo Bates, pursuing this angle, and subsequently finding a "Z" like signature that mirrored the Halloween card? (used for the first time by Zodiac). What are the chances of Zodiac marrying Halloween and the pseudonym "Z" together, which mirrored the discovery of a murder victim on Halloween morning, which later had accompanying letters signed with a "Z" style signature? The Halloween card coming just three months after the Zodiac Killer mirrored the Cheri Jo Bates Confession letter of "She squirmed and shook as I choaked her, and her lips twiched. She let out a scream once": when he wrote in the Little List letter on July 26th 1970 "Some I shall tie over ant hills and watch them scream + twich and sqwirm".

In a time span of just three months, the Zodiac Killer had combined scream, twich, squirm, Halloween and a "Z" signature, possibly merging crucial details from the Confession and Bates letters together. Four of these details were already available in the January 1969 edition of the Inside Detective magazine, but the "Z" signature was not. If the signature on two of the Bates' letters was really meant to be the letter "Z", then the fact that the Zodiac Killer broke with tradition and used the pseudonym "Z" within a Halloween card for the first time, could be argued as carrying some significance. 

The Zodiac Killer mailed the Little List letter on July 26th 1970 setting out his search for "society offenders", but this lengthy communication was withheld from publication in the newspapers until October 12th 1970. Despite a comprehensive article in the San Francisco Chronicle on September 26th 1970 featuring the disappearance of Donna Lass from Lake Tahoe on September 6th 1970, the Zodiac Killer never raised his victim total of 13 from July 26th 1970 to October 5th 1970, when the 13-Hole postcard arrived. He never previously needed any prompting to falsely inflate his victim total in previous communications, yet a month after the abduction and likely murder of Donna Lass from the Sahara Tahoe Hotel & Casino, the Zodiac Killer kept his victim total static, suggesting at this juncture he was not claiming the young nurse as victim 14. That is, because he never murdered her. Besides, he would later retrospectively claim he had sought her as victim 12 in the March 22nd 1971 Pines card, while she was still present in San Francisco and working at the Letterman General Hospital by the Presidio.

Donna Lass would have been working as a nurse in the Presidio park in the relevant time period for her to be sought as victim 12. Bearing in mind that the Zodiac Killer was last seen entering the Presidio park after the murder of Paul Stine on October 11th 1969, he knew that by retrospectively claiming he had targetted Donna Lass in San Francisco before her eventual disappearance, it would carry more weight to his suggested involvement in her demise through the Pines card.

It is unlikely that the punched hole in the top right corner of the Pines card can be used to find the burial location of Donna Lass, because the Zodiac Killer has provided no evidence he had any involvement in her murder. The vague and cryptic phrases pasted on the Pines card could just have been designed to identify the name of Donna. When the "Sierra Club" on the postcard is aligned over the Sierra Club of Clair Tappaan Lodge, the punched hole can be aligned over the "Donner" of the Donner Memorial State Park. This notion carries a little more weight when we consider a similar pasted card, dubbed the Monticello card, that arrived at the San Francisco Chronicle on July 13th 1971, again hinting at the identity of a murdered woman, that of Kathy Bilek. This time, the author pasted "Woods", "April" and "near Monticello" as a clue to her name. However, on this occasion, the sender would actually direct us to a burial site.

Buried in the Oak Hill Memorial Park & Cemetery in the Monticello neighborhood of San Jose was the resting place of Kathie Snoozy, claimed as a victim by the Zodiac Killer in the Dripping Pen card on November 8th 1969. She was the namesake of Kathy Bilek, who along with Debra Furlong, were all victims of the real murderer, Karl Francis Werner. The Monticello card followed the exact pattern of the Pines card, in which the Zodiac Killer retrospectively claimed the April 11th 1971 murder of Kathy Bilek in the Villa Montalvo woods of Saratoga, by pasting "shought victim 21" on the card. He never murdered Kathy Bilek and he very likely never murdered Donna Lass. When Karl Francis Werner was credited with two of Zodiac's previously claimed victims, that of Snoozy and Furlong, he doubled down and more, by adding Kathy Bilek retrospectively in a vain attempt to discredit the notion of Werner being responsible for all three. This belated tactic was used to claim Donna Lass as a victim also, with the Zodiac Killer selecting a time period between the 10 victims on April 20th 1970 and 12 victims on June 26th 1970, while Donna Lass was still working at the Letterman General Hospital for a large chunk of this time. He knew this would add credence to his claim of involvement in her disappearance and likely murder, particularly when he noticed the proximity of her profession to the Washington and Cherry intersection in Presidio Heights.

In fact, the Halloween card, Pines card and Monticello card may have all been retrospective communications, with the Halloween card incorporating the murders of Kathie Snoozy and Debra Furlong into its design by the addition of two skeletons and the 4-TEEN on the card inner. The Zodiac Killer was only claiming four teenagers as murder victims by October 27th 1970, that of David Faraday, Betty Lou Jensen, Debra Furlong and Kathie Snoozy. We know that the Zodiac Killer wasn't responsible for the three victims eventually attributed to Karl Francis Werner, despite him valiantly trying to retrospectively claim all three on numerous occasions. Therefore, we should place little credence to his suggestion of involvement in the untimely disappearance of Donna Lass through the Pines card, especially when he had every chance to elevate his victim total on October 5th 1970. This should give you pause for thought when the Zodiac Killer retrospectively inferred his involvement in Riverside on March 13th 1971, four and a half years after the fact.

On August 3rd 1969, cyclists made the grim discovery of the bodies of Kathy Snoozy and Deborah Furlong from San Jose, each stabbed in excess of a hundred times and found beneath an oak tree in Almaden Valley. The Chief of Detectives, Barton Collins spearheaded an investigation that eventually saw the arrest of Karl Francis Werner in the April of 1971.

The Zodiac Killer on August 6th 1969, after viewing the extensive front page coverage of this crime that he believed he deserved, very likely switched to a knife for his brutal attack on Bryan Hartnell and Cecelia Shepard at Lake Berryessa on September 27th 1969. The Zodiac Killer would indirectly refer to Kathy Snoozy and Deborah Furlong through multiple communications spanning two years, most notably the "by knife" attribution on Bryan Hartnell's car door and the Dripping Pen card, when he inflated his victim total to seven by adding the month of "Aug". He may also have done this in the December 16th 1969 Fairfield letter when he drew the Bleeding Knife of Zodiac with seven drops of blood falling from the blade. He wasn't responsible for the murders of Kathy Snoozy and Deborah Furlong on August 3rd 1969, but he wanted us to believe he was. 

This leads us to the Halloween card on October 27th 1970, approximately one year after the Dripping Pen card. The greeting card contained an eye peeking from the knothole of a tree with the circled wording of "peek-a-boo you are doomed". It is this childlike terminology of "peek-a-boo" used by parents when playing with their children, that could reveal an alternative meaning to the Halloween card. There are many variations of "peek-a-boo", such as where trees are involved: "Hiding behind that tree" is sometimes added. Wikipedia. Kathy Snoozy (15) and Deborah Furlong (14) were extremely young victims, with Kathy Snoozy described by investigators as much younger looking than 15 years. The Halloween card depicting a tree with somebody hiding behind it, in accompaniment to the two skeletons adorning the card (one purposefully added}, seemed to mirror the attack on the two young girls by an oak tree. The Halloween card deliberately designed to signify two victims, explaining why the Zodiac Killer went to the extra effort of adding a second skeleton to the card inner, and featuring "by knife" on the rear of the card, just like he did on the car door of Bryan Hartnell at Lake Berryessa.  

The San Francisco Chronicle on August 6th 1969 stated "Dr. Hauser, so shaken by the brutality of the crime he could scarcely find words, said the Snoozy youngster had 150 wounds on her back, 50 on the front and a "storm" of punctures on her neck. Deborah's body had about 100 wounds on her back and upper front and a dozen on her neck. Dr. Hauser said he was "puzzled" by many aspects of the brutal slaying. He said neither girl had been sexually molested; neither had suffered any wounds below her waist, neither gave evidence of having struggled to escape. Only the Snoozy girl, he said, had one small mark on her hand, suggesting she may have tried vainly to deflect the plunging knife". The Zodiac Killer placed a pumpkin over the groin/waist region of the first skeleton, giving rise to the notion that this communication had a malevolent undertone attached to it. But these observations are backed up by the Zodiac Killer's running victim total presented in three forms. He wrote 14 on the first skeleton's hand, he wrote 4-TEEN over the skull of the second skeleton, and may have written "Zodiac Fourteen" at the base of the card inner by combining two features, adding 4 dots to signify "four" once again.

The Zodiac got creative by listing seven victims with the addition of "Aug" on November 8th 1969 and adding seven drops of blood on December 16th 1969 on the Bleeding Knife of Zodiac drawing, so did he get creative in the Halloween card? The Zodiac Killer didn't write 4-TEEN as his victim total for no reason, therefore we have to examine why he did it. The number 4 is self evident, meaning 4 victims. The word TEEN is short for teenager or teenagers. This indicates that the Zodiac Killer has incorporated 4 teenagers into his victim total of fourteen. At this juncture, he was claiming the murders of Betty Lou Jensen (16), David Faraday (17), Darlene Ferrin (22), Cecelia Shepard (22), Kathy Snoozy (15), Deborah Furlong (14), Paul Stine (29), Richard Radetich (25) and Donna Lass (25). That is nine claimed victims of the fourteen he had placed on the Halloween card, but only four were teenagers, hence the wording of 4-TEEN. The two skeletons may sadly have represented Snoozy and Furlong, adding the two teenagers from San Jose to the existing two teenagers from Lake Herman Road in Benicia, that we already knew for certain. 

Halloween is a time when the children venture out into the night, dressed in costumes to play trick or treat in the neighborhood. The Zodiac Killer, on the other hand, may have played the sickest game of all, when he mailed the Halloween card on October 27th 1970, claiming yet again his involvement in two murders he had no hand in.

The following is probably better answered by Dave Oranchak, who recently, alongside Sam Blake and Jarl Van Eycke cracked the Zodiac 340 cipher from November 8th 1969. The correlation between the Halloween card and 340 cipher has long been considered, but is it a comparison that deserves any further attention in light of the encryption techniques used by the Zodiac Killer when designing his 340 cipher? Is the comparison between the two communications justified?

On October 27th 1970, the Zodiac Killer mailed the Halloween card with a configuration of "paradice" and "slaves" in cruciform. In each quadrant of this design we had four methods of death (knife, gun, fire and rope), preceded by the word "By". The "paradice" and "slaves" element can be shown to exist on the canvas of the 340 cipher, bisecting it both horizontally and veritically in a 17 by 17 formation, imitating the cruciform design within the Halloween card. The four "By" words are present in each quadrant of the 340 cipher. The writing on the envelope stamp of "In the beginning God" falls nicely into the beginning line of the 340 cipher, with the word "God" landing squarely over the ciphertext supplied by the Zodiac Killer. The LAV of Paul Averly on the envelope also appears to be underlined. And finally, we have the Zodiac pseudonym visibly present on the final line of the 340 cipher, albeit slightly altered. Almost as though he was signing the canvas of his masterpiece.

Did the Zodiac Killer provide two puzzles on November 8th 1969? A superficial design on the canvas of the 340 cipher akin to a design on the cover of a book, with a hidden message that lay beneath the imagery in the form of a cryptogram.  

If the Zodiac Killer designed his 340 cipher key randomly by just allotting ciphertext characters to plaintext characters, what are the chances that all these above observations would fall out by chance and be highlighted a year later in the Halloween card design? However, if the Zodiac Killer began the 340 encipherment of the canvas first, with "paradice" and "slaves", "by", "God" and the near signature of Zodiac, he would be able to manipulate a superficial design onto the face of the 340 cipher before continuing to encode the rest of the message underneath. The "sorry no cipher" phrase written on the flap of the Halloween card envelope in cruciform, I wrongly concluded was a hint that the 340 cipher was not a genuine cryptogram. But was the "sorry no cipher" on the cover of the Halloween card somehow related to the cover of the 340 cipher?

The desire to unearth hidden meanings in the Zodiac communications is an insatiable one, that often leads to conclusions with no foundation or basis in reality (and the above interpretations may be one such example). Dave Oranchak would be able to shed much more light on the above comparisons made between the Halloween card and 340 cipher from a statistical standpoint, expanding upon the premise of a Zodiac Killer creating two puzzles for the price of one, or destroying the notion once and for all. It would answer the question of whether the Zodiac Killer created a superficial design and signed the canvas of his masterpiece cipher, or whether it is just a picture created in nothing more than the mind.