ZODIAC CIPHERS
RICHARD GRINELL, COVENTRY, ENGLAND
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ZODIAC- THE LORD HIGH EXECUTIONER

4/18/2018

 
PictureCecelia Shepard
The Zodiac Killer quoted a portion from one of the three stanzas of The Mikado's Tit-Willow, when he mailed the Exorcist letter on January 29th 1974. This may possibly have been the third correspondence, including the Halloween card, where The Mikado was referenced. The Zodiac Killer began with the Little List letter on July 26th 1970, in which he paraphrased As Some Day It May Happen featuring Ko-Ko the Lord High Executioner. In this letter he was effectively outlining his search for future victims by paralleling his agenda throughout the state of California with The Mikado. If we break down the Exorcist letter into its constituent parts, it becomes apparent the correspondence is a further threat towards the citizens of California rather than a declaration of his impending suicide.

If we take a look at the October 27th 1970 Halloween card and compare it to his confirmed attacks, only one stands out. On September 27th 1969, Cecelia Shepard and Bryan Hartnell were relaxing by the shores of Lake Berryessa when a man spotted by Cecelia ducked behind a tree to don an executioner's mask and waistline bib. This theatrical entrance in the form of 
Ko-Ko the Lord High Executioner has long been suggested as an influence on the Zodiac's actions and writings. Here is an extract from the San Francisco Chronicle on October 12th 1970, just 15 days prior to the mailing of the Halloween card: "It was immediately apparent that Zodiac had plagiarized several stanzas from an aria in the Gilbert and Sullivan operetta 'The Mikado'. It is the entrance aria of Ko-Ko, the Lord High Executioner. A quiet search of onetime Ko-Ko's has turned up none that could be Zodiac. Obvious differences in physical description and handwriting comparisons have cleared all Ko-Ko's tracked down since the arrival of the July 27 letters".

The Halloween card depicted an eye peering from the knothole of a tree, accompanied by the words "peek-a-boo you are doomed", possibly implying the impending threat of the Zodiac Killer hiding behind the tree at Lake Berryessa and his ultimate arrival bedecked in an executioner's outfit. If you look up the definition of peek-a-boo in Wikipedia, it quotes
Peekaboo (also spelled peek-a-boo) as a form of play primarily played with an infant. To play, one player hides their face, pops back into the view of the other, and says Peekaboo!, sometimes followed by I see you!  There are many variations: for example, where trees are involved, "Hiding behind that tree!" is sometimes added.

However, Peek-A-Boo was also a character in another version of The Mikado at around the same time as the Gilbert and Sullivan operetta.
In 1888, Jack the Ripper terrorized the Whitechapel district of London. In the same year of somewhat less significance Ed J. Smith wrote a stage parody called The Capitalist; or, The City of Fort Worth. Designed to encourage capital investment in Fort Worth, Texas, and underwritten by local banks and railroad lines, the two act piece features characters named Yankee-Doo, Kokonut, By-Gum and Peek-A-Boo. Here is an image depicting this reference.     

PictureThe Halloween card
Peep-bo is the English version of peek-a-boo, and has a curious, albeit likely unintentional connection to the Lake Berryessa murder of Cecelia Shepard, in the nursery rhyme Little Bo-Peep.

​"The earliest record of this rhyme is in a manuscript of around 1805, which contains only the first verse. There are references to a children's game called "bo-peep", from the 16th century, including one in Shakespeare's King Lear (Act I Scene iv), for which "bo-peep" is thought to refer to the children's game of peek-a-boo, but no evidence that the rhyme existed earlier than the 18th century. The additional verses are first recorded in the earliest printed version in a version of Gammer Gurton's Garland or The Nursery Parnassus in 1810. Wikipedia.

Peep-bo was one of the three little maids from The Mikado: "Three little maids from school are we, pert as a school-girl well can be, filled to the brim with girlish glee, three little maids from school". Three young girls from Pacific Union College would feature in the Zodiac story of Lake Berryessa that day, when describing a suspicious individual roaming the hillside bordering the lake - later providing a sketch of the individual. Little Bo-Peep was a shepherdess, so its significance to the name of Cecelia Shepard could not be ignored, although likely accidental. "She heaved a sigh and wiped her eye, and over the hillocks went rambling, and tried what she could, as a shepherdess should, to tack each again to its lambkin".

The Riverside murder of Cheri Jo Bates on October 30th 1966 and the subsequent Confession letter held an odd precursor to the events of Lake Berryessa, when it stated "Miss Bates was stupid. She went to the slaughter like a lamb", along with the widely referenced "She squirmed and shook as I choked her, and her lips twitched" connection to the Little List letter.  

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​The Zodiac Killer, after mailing his response to the unearthed Riverside connection, would then go into hibernation from March 13th 1971 until the arrival of the Exorcist letter nearly three years later on January 29th 1974, leading many to believe the Zodiac Killer was likely incarcerated during this period. 

"Taken from the county jail
By a set of curious chances;
Liberated then on bail,
On my own recognizances;
Wafted by a favouring gale
As one sometimes is in trances,
To a height that few can scale." 
Behold the Lord High Executioner Youtube

The Mikado/Act I/Part V

The Lord High Executioner was to return, ridiculin the 1973 film, The Exorcist, yet curiously comparing it to Gilbert and Sullivan's satirical operatic comedy, The Mikado, calling it "the best satirical comedy that I have ever seen".  He then signed his name using the verse of Tit-Willow by Ko-Ko: "He plunged himself into the billowy wave and an echo arose from the suicides grave, titwillo, titwillo, titwillo". The whole letter appeared to be announcing the return of the Lord High Executioner after nearly three years. Here is the Exorcist letter broken down into its constituent parts to reveal its likely meaning.

"I saw and think "The Exorcist" was the best satirical comedy that I have ever seen, even better than The Mikado. Signed, yours truley: The Lord High Executioner. If I do not see this note in your paper, I will do something nasty, which you know I'm capable of doing- To Kill". Kevin Robert Brooks came up with possibly the best interpretation of the Japanese/Asian symbols at the foot of the letter, befitting of Ko-Ko the Lord High Executioner. The "This is the Zodiac speaking" introduction was apparent by its absence, as well as the Zodiac crosshairs - but the Lord High Executioner was alive and well, and still making threats.  

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THE MIKADO CODE?

9/24/2017

 
The Zodiac Killer teased us with his name on more than one occasion, firstly in the July 31st 1969 San Francisco Chronicle letter where he stated "I want you to print this cipher on the front page of your paper. In this cipher is my idenity". He would follow this up with the 'My Name is...' Letter on April 20th 1970 and the Halloween Card on October 27th 1970 tempting us with his name again; "I feel it in my bones, You ache to know my name, And so I'll clue you in.." ​It would appear however, these were empty promises and we are still no nearer to securing the identity of the Zodiac Killer nearly half a century later.

It always seemed strange the Zodiac Killer would integrate the Gilbert and Sullivan Mikado into his correspondence, leading researchers to believe he was a fan of the theater, having quoted three acts of The Mikado in the Little List Letter of July 26th 1970 and Exorcist Letter of January 29th 1974. But there may be an ulterior motive behind this apparent fascination with Gilbert and Sullivan, in that the killer was using The Mikado to reveal his name - and likely through four mailings rather than the accepted two. We will take a closer look at these four correspondences and the speculative links between them, without claiming this is anything more than coincidence. Let us first look at the Exorcist Letter.   

PictureClick to enlarge
The first thing to notice is its carefully structured appearance, being divided neatly into four sections of text. The curious thing about the correspondence is Zodiac wrote "Signed, yours truley," as though he was about to offer up his name in the third block of writing. He then recited ​Act II - On a tree by a river from The Mikado. It seemed like Zodiac was wasting our time, plucking out random verses from The Mikado - that is until you read verse three of this particular act. It not only contained a reference to 'name', but pointed us towards 'The My Name is...' Cipher mailed on April 20th 1970. Here is verse three.

Now I feel just as sure as I'm sure that my name
Isn't Willow, titwillow, titwillow,
That 'twas blighted affection that made him exclaim
"Oh, willow, titwillow, titwillow!"
And if you remain callous and obdurate, I
Shall perish as he did, and you will know why,
Though I probably shall not exclaim as I die,

"Oh, willow, titwillow, titwillow!"

Was the Zodiac Killer giving us clues to his identity or name, by leading us back to the 13 Symbol Cipher. This observation on its own is meaningless, so we will travel back in time to the Little List Letter mailed on July 26th 1970, apparently the only other correspondence to contain references to The Mikado. The first section of the Little List Letter pulled lines from  A More Humane Mikado and continued on to extensively recite Gilbert and Sullivan's Mikado Act One Part 5a As Some Day it May Happen, performed by Ko-Ko. In the introductory part of the letter, the Zodiac Killer simply boasted about how he would torture his slaves in paradise - but he again did something curious - by selecting just one small section of A More Humane Mikado, despite it being ten verses in length. The same as he did in the Exorcist Letter. He then continued to paraphrase the entirety of As Some Day it May Happen.

The Exorcist Letter, we have shown to have tenuous links to the April 20th 1970 'My Name is...' Letter, using verse three of Tit-Willow. So let us look at the small section of text Zodiac selected from
A More Humane Mikado. The Little List Letter read "And all billiard players I shall have them play in a darkened dungen cell with crooked cues + Twisted Shoes".  Why does Zodiac select this small portion? Was this also hinting towards the 'My Name is...' Cipher? When we think of billiard players or billiard balls from the standpoint of America, eight-ball comes to mind, and the circled eights on the 13 Symbol Cipher. 
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This is the full verse (right) from A More Humane Mikado. It is actually verse eight out of ten, providing us with the numerical link, as did verse three from the Exorcist Letter. The Zodiac Killer did state on the 'My Name is...' Letter; "PS I hope you have fun trying to figgure out who I killed".

There is however another link from A More Humane Mikado to the alphabetical characters on the '13 Symbol' code mailed by Zodiac.
The Zodiac Killer supplied us with eight alphabetical characters, reading from left to right  A, E, N, K, M, N, A and M. In the diagram below, key sections of A More Humane Mikado are highlighted for comparison to the '13 Symbol' Cipher. Seven letters have been highlighted in green and yellow. This is where we must take a bold leap of faith and consider that the Zodiac Killer chose The Mikado by Gilbert and Sullivan because it simply contained his name, Kim. Nothing more theatrical than that. 

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The green highlighted sections on A More Humane Mikado in reverse, read KIMNAM. If we believe therefore, that the middle eight represents the letter I on the '13 Symbol' Cipher, it reads forward KIMNAM, exactly the same. The remaining letters of the cipher AEN are shown highlighted in yellow. Every letter on the '13 Symbol' Cipher is contained within this section of seven letters. ​The three eights encapsulated his identity, just like the three eights at the foot of the 340 character cipher mailed on November 8th 1969: The Mathematics of the 13 Symbol Cipher. Who said the Magic 8 ball was just for telling fortunes! Additionally, Mikado can be formed using the alphabetical characters on the 20th line of the 340 Cipher.

The Zodiac was keen to share with us what he had in store for his slaves in paradise: "This is the Zodiac speaking. Being that you will not wear some nice buttons, how about wearing some nasty buttons. Or any kind of buttons that you can think up. If you do not wear any type of buttons, I shall (on top of everything else) torture all 13 of my slaves that I have waiting for me in Paradice. Some I shall tie over ant hills and watch them scream + twich and squirm. Others shall have pine splinters driven under their nails + then burned. Others shall be placed in cages + fed salt beef untill they are gorged then I shall listen to their pleass for water and I shall laugh at them. Others will hang by their thumbs + burn in the sun then I will rub them down with deep heat to warm them up. Others I shall skin them alive + let them run around screaming. And all billiard players I shall have them play in a darkened dungen cell with crooked cues + Twisted Shoes. Yes I shall have great fun inflicting the most delicious of pain to my slaves".

The talk of slaves, paradise, pine splinters, dungeons and hanging his 'prisoners' by the thumbs, catapulted me to the Halloween Card mailed on October 27th 1970 and the last Mikado installment. The Zodiac Killer placed some wording around the knothole in the tree stating "peek a boo you are doomed". Bearing in mind that The Mikado opened to the paying public on March 14th 1885, and was hugely successful, running for 672 performances at the Savoy Theatre in London, a British connection had to be sought. The British term for peek-a-boo is peep-bo, and peep-bo is a character in The Mikado.      
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http://www.zodiacciphers.com/zodiac-news/fk-im-crackproof

THE EXORCIST LETTER

4/3/2014

 
The final confirmed letter mailed by the infamous Zodiac Killer to the San Francisco Chronicle on January 29th 1974 has been commonly referred to as the Exorcist Letter. This sixty-one word correspondence appeared to mock the 1973 movie The Exorcist, directed by William Friedkin and based on a novel by William Peter Blatty published in 1971, chronicling the demonic possession of a twelve-year-old girl, Regan MacNeil. William Peter Blatty spent long nights in a secluded Lake Tahoe cabin crafting images of good and evil, religion, faith and the afterlife, that would eventually go on to make movie history and court its fair share of controversy along the way. 

The letter is short, reminiscent of much of the Zodiac Killer's later contact with authorities, but as well as mentioning The Exorcist movie, the letter, in rather disjointed fashion, breaks into a Mikado recital once again, recalling memories of the Little List Letter mailed three and a half years previously on July 26th 1970. But this time the foreboding 'Tit Willow' seemed contemplatory in this context, possibly marking the end of the Zodiac reign - and to this day is still often quoted as the murderer's epitaph. The third and final section issued the usual threat of more murders, capped off with Asian style symbols in the form of a cryptic message. Like much of his later correspondence there is little substance here, but we will attempt to delve a little deeper into the Exorcist Letter and find any links that may be relevant or otherwise, as to why he wrote the letter in the first place. This is not a theory, just an examination into where the Zodiac Killer may have been drawing his inspiration.       
PictureGroucho Marx : I refuse to join any club that would have me as a member.
The Little List Letter mailed to the San Francisco Chronicle on July 26th 1970 heavily featured the Gilbert and Sullivan stage play, The Mikado. One section loosely quotes 'a more humane Mikado',  followed by the more extensive paraphrasing of Act 1 Part 5a, 'As some day it may happen'. The curious thing, is that the Zodiac Killer's version of the Little List mimics closer to the Groucho Marx version in the Bell Telephone Hour (1960) than the original Gilbert and Sullivan play. Visit here for the full audio collection: Gilbert Sullivan-The Mikado audio. A thread at the Zodiac Killer Site Forum also covers this topic in detail. Groucho Marx would possibly appear again, depicted in the American Greetings Card or Eureka Card, mailed by either the Zodiac or a copycat in the December of 1990.

The Eureka Card was reminiscent of the Halloween Card mailed some 20 years earlier. It begins with the words FROM YOUR SECRET PAL CAN'T GUESS WHO I AM YET?  WELL, LOOK INSIDE AND YOU'LL FIND OUT...  and once opened stated ... THAT I'M GONNA KEEP YOU GUESSIN'! HAPPY HOLIDAYS, ANYWAY. The scene portrayed on the Christmas card  was of a snowman disguised in a Groucho Marx style nose and glasses. In front of the snowman was a rabbit or hare apparently gazing up at the wintry scene. One cannot help thinking the Zodiac Killer chose his cards for a reason.

Another interesting connection was noted on viewing the Tom Hanson Zodiac movie from 1971, in that the killer wore a Groucho Marx style nose and glasses in one scene from the movie. View the scene and thread at ZodiacKiller.com. But this was not the only possible film connection to the Groucho Marx disguise featured on the 1990 Eureka Card.  
PictureGroucho Marx disguise in Terror Train (1980)
Terror Train was released in 1980, directed by Roger Spottiswoode and starring Jamie Lee Curtis, Ben Johnson and David Copperfield. During New Year celebrations at the students fraternity house Sigma Phi, a prank backfires on Kenny Hampson (Derek MacKinnion). Mentally scarred by the event, this forms the basis of revenge when the students responsible for the prank board a private train hosting a fancy dress party, exactly three years later. On boarding the train one of the students is stabbed, but his friends believing it is a prank, continue along unconcerned. The killer collects the victim's Groucho Marx mask, follows them onto the train and seeks his revenge, one by one. The movie was primarily a thriller/slasher, filmed in Canada from November 21st to December 23rd 1979 and released by Twentieth Century Fox in the October of 1980.

But can we connect Groucho Marx to the Exorcist Letter? Not directly, but by association. The Zodiac Killer described The Exorcist as, "the best satirical comedy that I have ever seen". Well, this may not be the case, however, the genesis of the movie may well have been born with the help of a comedy genius - that of Groucho Marx. The Exorcist author, William Peter Blatty, was a close friend of Groucho Marx, and there was an intention by Marx to dress as the priest Father Lankester Merrin from the movie and appear on the set of the Exorcist film, but due to scheduling matters the comedic entrance never materialized. But in one episode of the popular You Bet Your Life series, hosted by Groucho Marx, William Peter Blatty was a contestant and walked away with a prize of $10,000. When he was asked what he was going to do with the money, he stated he was to take some time off  to work on a novel. That novel was the acclaimed inspiration for the movie The Exorcist.  

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Groucho Marx was a lifelong fan of the Gilbert and Sullivan operas, appearing as Ko-Ko in a production of the Mikado, on NBC's Bell Telephone Hour in 1960. He also recited Tit Willow in 1960 and on the Dick Cavett Show on March 20th 1970. Wikipedia. Therefore, Groucho Marx can be associated through the Little List Letter mailed on July 26th 1970, the Exorcist Letter on January 29th 1974 and the Eureka Card in the December of 1990. However, there is a little more background.

William Peter Blatty released a novel in 1966, entitled Twinkle,Twinkle Killer Kane. It achieved little commercial or critical acclaim. View accompaniment. The story centers on a psychiatrist, 'Killer Kane' (Hudson L Kane) and explores faith, humanity and irony. He enters a madhouse to determine if its residents, comprised of soldiers and astronauts are actually mad or just putting on an act. This results in extended interaction with resident Manfred Cutshaw on the concept of God. In the story Kane postulates "every man who has ever lived has been born with desire for perfect happiness. But unless there is an afterlife, fulfillment of this desire is a patent impossibility". It was to be later rewritten and published under the new title 'The Ninth Configuration' in 1980, attempting to explore the marginal line of sanity over insanity. It failed to inspire the public on its cinematic release.    

EXIT STAGE LEFT

3/4/2014

 
Waiting in the wings, the Zodiac Killer was not content with a supporting role and yearned to have his name in the spotlight, determined to act out his deep seated desire on a much grander scale - but unlike the theatrical tragedies that had gone before him, this one was to be performed on the very real stage of Northern California, with dark consequences. This analysis probes into the mindset of the Zodiac Killer and his influences as the driving force behind the numerous communications he orchestrated over a period of nearly five years, to narrow down a profession that, above all, takes center stage. It has been noted on countless occasions that the Zodiac Killer had leanings toward the dramatic, His early correspondence included part inference to The Most Dangerous Game, a short story by Richard Connell, published on January 19th 1924, as well as several references to the Gilbert and Sullivan comic opera, The Mikado, first viewed by the paying public on March 14th 1885. The Mikado featured heavily in his 'Little List' letter, mailed to the San Francisco Chronicle on July 26th 1970 and was resurrected in the 'Exorcist' letter, his last confirmed correspondence, mailed on January 29th 1974.

In the counterculture revolution of the 1960s, a new breed of expressionism emerged, in alliance with the already existing forces of cinema and theater that permeated the San Francisco culture and provided the backdrop for a diverse cocktail of literary and visual freedom.​
From an early age, it is possible the Zodiac Killer longed to take the leading role, but rejected from his yearnings, took solace in the wings and waited, knowing that one day his time would come. When it arrived the 'performance' was brief, and the final act was never far away, as tragedy would have it, when Paul Stine picked up his final passenger from the theater district, near the intersection of Mason and Geary Streets on October 11th 1969. Many researchers have suggested a plausible link to the theater due to traits in the Zodiac Killer's correspondence.

The Lamplighters, hailed as one of the oldest companies in the Bay Area and specializing in Gilbert and Sullivan comic operas, performed at the Harding Theater throughout the 1960s - and were performing The Mikado in San Francisco in 1969, opening on April 20th. Many have speculated that the Zodiac Killer may have been a cast member or had viewed the production, prior to his version, when he mailed the Little List letter to the San Francisco Chronicle on July 26th 1970. However, it is equally likely he may have been a theater technician, employed in the area of stage management, lighting, electrics or quite possibly wardrobe. He could have trained in costume design, as a tailor, or more specifically wardrobe crafts involving masks and disguises.
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He claimed in his Bus Bomb letter of November 9th 1969 "The police shall never catch me, because I have been too clever for them.  I look like the description passed out only when I do my thing, the rest of the time I look entirle different. I shall not tell you what my descise consists of when I kill". He also made a grand appearance at Lake Berryessa on September 27th 1969, having purchased, borrowed or crafted a black executioner's hood and a waistline bib, emblazoned with the Zodiac crosshairs - but either way, his entrance was of theatrical proportions.

One thing evident throughout his correspondence, was his use of the word shall, leading to speculation that he may have been of British origin, as the word shall, is infrequently used in American English. However, another option exists. As a member of theater production, his exposure to the word shall would have been far more frequent in the performance of stage plays, particularly in traditional works of English origin, which he would seek to take to the next level when he started crafting his own scripts. Embittered by rejection, he mailed his work to the heart of the American people via the San Francisco Chronicle, seeking literary recognition, but sadly only succeeded in creating a tragedy of epic proportions, while hiding behind a pseudonym and mask of sanity.
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In his fourth and final act, the Zodiac Killer departed the theater district of Union Square on October 11th 1969 for the short journey to the intersection of Washington and Cherry Streets in Presidio Heights, with the unsuspecting taxicab driver Paul Stine at the helm. Thirteen minutes later the final act was upon us, when the brutal slayer claimed his fifth and final confirmed murder victim.

The killer was observed by three teenagers from a house across the street, as he wiped down the vehicle to remove any incriminating evidence. He then calmly walked away into the night. His 'exit stage left' was complete, but the memories he left behind, still haunt us today. 

THE BREATH OF A KILLER

9/5/2012

 
The Zodiac Killer mystery retains an unfaltering allure, that has managed to captivate a worldwide audience for more than four decades. When people become entranced with the case, there are many times upon reviewing the postcards, ciphers and wording, that the breath of the killer can almost be felt for a brief moment, when you spot something you think is significant, before it is cruelly snatched away. But it does not stop you trying to close the book on years of torment for the victims families and friends, which often has become overlooked in the midst of this tragic affair. Many suspects have been touted as the infamous Zodiac Killer, and most have been effectively eliminated from ongoing scrutiny. Recently however, another name has emerged as a contender for the Zodiac murders, that of Donald Lee Bujok, promoted from previous obscurity to the forefront of the discussion by the detailed and extensive research of Zodiac enthusiast Kevin Robert Brooks, who can claim to have felt the breath of a killer more than most.
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But can Kevin Robert Brooks convince us that Donald Lee Bujok is the killer?
As an introduction to this suspect, one must first acquaint themselves with the forerunner to this story, Donald Lee Bujok-Zodiac Suspect, which details the thought processes the killer used in the design of the Halloween card. Bearing in mind the killer is approaching his writings from a rationale different from the norm, the key to cracking his codes may lie in the unconventional thinking held naturally by very few individuals. 

Kevin Robert Brooks also dissects the Exorcist letter and subsequent SLA letter, which he believes are inextricably linked by the word "Kill". It is a widely held belief that the footnote of the Exorcist letter stating "Me-37 SFPD-0", is a reference to his murder count so far. If we believe that his victim total was in any way realistic, then who and where are all his victims, and why the three year hiatus from his previous correspondence? If the killer was incarcerated during this period, then murder on this magnitude is frankly implausible, if we are to believe the Exorcist letter as genuine Zodiac material. Kevin Robert Brooks believes that the reference to "Me-37" is relevant to the age of Donald Lee Bujok, who would have been 37 years of age on January 29th 1974. Donald Lee Bujok was born on July 6th 1936

The strange characters drawn by the author of the Exorcist letter have been rearranged by Kevin Robert Brooks to form the words 'To Kill !" (shown in the image below). Kevin Robert Brooks believes that the dyslexia he has become accustomed to, has provided him with a unique perspective on the Exorcist letter, thereby enabling him to 'decode' the characters at the foot of the correspondence. This unique perspective may have been shared with the Zodiac Killer. Five days later, on February 3rd 1974, the Zodiac Killer mailed the SLA letter from Los Angeles to the San Francisco Chronicle, in which he again emphasizes the word "kill". This may have been a possible hint to the workings of the previous correspondence. Note the similarity of the letter K in both communications, to The Mikado stylism shown above. The Zodiac Killer was widely believed to have an affinity towards The Mikado, a two-part comic opera by Gilbert and Sullivan, which opened to the public on March 14th 1885, being hugely successful and running for 672 performances at the Savoy Theatre in London.
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Donald Lee Bujok's early life was beset with problems. He suffered from a bi-polar disorder - a form of depression punctuated by mood swings - along with a speech impediment, to which in later years he gained some form of control by speaking in a slow deliberate tone However, this resulted in the young Bujok being bullied by other schoolchildren, which created a degree of social detachment.
PictureS.L.A. Letter
Determined to lay claim to some meaning in life, Donald Lee Bujok joined the army in 1954 and was stationed at Fort Ord on Monterey Bay. His brief time in the army, according to Kevin Robert Brooks, became pivotal in his later correspondence - manifesting itself in the construction of The Halloween card and envelope, and detailed extensively by Kevin Robert Brooks in a Youtube video.

But another tantalizing clue lay in something Donald Lee Bujok could have retained from his brief spell at Fort Ord, before his medical discharge - notably the writing paper used at the military base.
Possibly the same paper used to author the Zodiac letter mailed to the San Francisco Chronicle on July 31st 1969, described on page 446 of Robert Graysmith's Zodiac Unmasked. The paper was described as so thin, that the overleaf became visible, and measured exactly 7 and 1/8 inches by 10 and 1/2 inches, identical to the Fort Ord stationary that Donald Lee Bujok would have had access to.

Kevin Robert Brooks, through careful and diligent research, is steadfast in his belief that Donald Lee Bujok is the Bay Area murderer - more confident than ever, that the breath of his killer is the one that condensed in the chill of the Lake Herman Road night of December 20th 1968.

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    13 Hole Postcard
    148 Character Cipher
    1978 Letter
    1986 Letter
    1987 Letter
    2001 Happy New Year Card
    Albany Letter
    Allan/Peyton Murders
    Arthur Leigh Allen
    Atlanta Letter
    Betsy Aardsma
    Blue Rock Springs Attack
    Bus Bomb Letter
    Button Letter
    Call To Chat Show
    Carol Beth Hilburn
    Channel 9 Letter
    Cheri Jo Bates
    Cipher Theories
    Citizen Card
    Concerned Citizen Card
    Confession Letter
    Daniel Williams Poisoning
    Debut Of Zodiac Letter
    Deep Real Estate Ad
    DMV Letter
    Domingos/Edwards Murders
    Donald Lee Bujok
    Donna Lass
    Dragon Card
    Earl Van Best Jr
    Eureka Card
    Exorcist Letter
    Fairfield Letter
    Fingerprint Evidence
    Forecast For Cancer
    Forecast For Leo
    Gareth Penn
    General News Articles
    Gilbert And Sullivan
    Good Citizen Letter
    Halloween Card
    Hood/Garcia Murders
    Internet Articles
    Joan Webster
    Johnny & Joyce Swindle
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    The Zodiac Killer may have given us the answer almost word-for-word when he wrote PS. The Mt. Diablo Code concerns Radians & # inches along the radians. The code solution identified was Estimate: Four Radians and Five Inches To read more, click the image.
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    The Zodiac Atlas: The Zodiac Killer Enigma by Randall Scott Clemons. Click image for details.
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    The Zodiac Killer Map: Part of the Zodiac Killer Enigma by Randall Scott Clemons. Click image for color version
    For black and white issue..
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Photos from Marcin Wichary, zAppledot, vyusseem, Alex Barth, Alan Cleaver, jocelynsart, Richard Perry, taberandrew, eschipul, MrJamesAckerley