On October 22nd 1969, the San Francisco Examiner newspaper published an article by Will Stevens, which laid down a challenge from Professor D.C.B. Marsh of the American Cryptogram Association (ACA) to the Zodiac Killer, attempting to coax him into revealing his name. The newspaper stated "Dr Marsh told the Examiner today: "The killer wouldn't dare, as he claimed in letters to the newspapers, to reveal his name in the cipher to established cryptogram experts. He knows, to quote Edgar Allan Poe, that any cipher created by man can be solved by man. Zodiac has not told the truth in his cipher messages to the Examiner, the Chronicle and the Vallejo Times-Herald. Zodiac has not done this, because to tell the complete truth in relation to his name -in cipher code - would lead to his capture. I invite Zodiac to send The American Cryptogram Association a cipher code - however complicated - which will truly and honestly include his name".

It was probably hoped that by invoking the name of Edgar Allan Poe, the Zodiac Killer would use a technique employed by Poe in the design of his next code. The Zodiac Killer, having created two lengthy ciphers, must have known that code breakers would find it difficult to confirm a solution to such a short code of thirteen characters on April 20th 1970, so may have hinted towards an answer using material created by Edgar Allan Poe. After all, it wouldn't have been the first time.

Edgar Allan Poe's essay A Few Words on Secret Writing began with an examination of the scytale method of encryption and decoding, which can be used to reveal Zodiac's message in the 340 cipher. The essay followed up with a second encryption technique by splitting the alphabet into two sections of thirteen characters, A through M, and N through Z. It didn't go unnoticed that Zodiac used thirteen characters in his code on April 20th 1970, beginning with the ciphertext character A, and ending with the ciphertext character M. In the next section of the essay, an individual who withheld his name, provided us with the following:  

Being the only date referenced in Poe's essay, it is noticeable that the Zodiac Killer by mailing his April 20th 1970 letter on this date, probably hoped it would be received by the newspaper on April 21st 1970, with "My name is ____", imitating the introduction above. I previously discovered that the only complete novel ever published by Edgar Allan Poe was  entitled "The Narrative of Arthur Gordon Pym of Nantucket". The very first line of this book read "My name is Arthur Gordon Pym". But this wasn't all. Here is the opening chapter of the novel mentioning "money", as did Zodiac on April 20th 1970 when he wrote "I am mildly cerous as to how much money you have on my head now". The opening paragraph also mentions the locations of Nantucket and New Bedford.

But how does "My name is" from the novel "The Narrative of Arthur Gordon Pym of Nantucket" tie into Edgar Allan Poe's essay A Few Words on Secret Writing? The unnamed author in the above challenge to Poe on April 21st was from Stonington, Connecticut (revealed by the postmark). Is it possible that the Zodiac Killer, having mailed the thirteen character code within one day of this postmark, was choosing the introduction of "My name is" from a Poe novel to point us towards Stonington, Connecticut? The Zodiac had given us the near-postmark from the essay, so why not give us a clue to Stonington as well. The opening paragraph of the novel "The Narrative of Arthur Gordon Pym of Nantucket", beginning with "My name is", gave us the two locations of Nantucket and New Bedford. These locations are only 88 miles and 54 miles east of Stonington, Connecticut. The locations of Norwalk, Connecticut and Albany, New York are also relevant to two Zodiac communications on March 2nd 1981 and August 1st 1973.      

I HOPE YOU ARE HAVING LOTS OF FUN IN TRYING TO CATCH ME - THAT WASN’T ME ON THE TV SHOW - WHICH BRINGS UP A POINT ABOUT ME - I AM NOT AFRAID OF THE GAS CHAMBER BECAUSE IT WILL SEND ME TO PARADICE ALL THE SOONER BECAUSE I NOW HAVE ENOUGH SLAVES TO WORK FOR ME WHERE EVERYONE ELSE HAS NOTHING WHEN THEY REACH PARADICE - SO THEY ARE AFRAID OF DEATH - I AM NOT AFRAID BECAUSE I KNOW THAT MY NEW LIFE IS LIFE WILL BE AN EASY ONE IN PARADICE DEATH.   

"To One in Paradise" was written by Edgar Allan Poe. This poem was first published as part of the short story titled "The Visionary" (later retitled as "The Assignation"). The poem was also published under the names "To lanthe in Heaven" and "To One Beloved". The title "To One in Paradise" was used in the February 25, 1843 Saturday Musuem. This poem was written after the death of Poe's wife. He writes that she was his life and he lived for her and now he looks forward to the future where they will be together again in death. link.

​The Zodiac Killer must have known that any solution to the thirteen character code on April 20th 1970 was practically unverifiable, unless the answer resided within the works of Edgar Allan Poe - and this link could be reasonably demonstrated. If the Zodiac Killer was capable of placing "One in Paradice" from a poem title by Poe into the 340 cipher, then he is capable of giving us a solution to the thirteen character code from material within the novel of "The Narrative of Arthur Gordon Pym of Nantucket". "My name is" begins the novel - and is the prelude (with dash) to the thirteen character code - so why shouldn't the answer to the Zodiac's code follow both and be the same. The solution to the thirteen character code may lie within ​"The Narrative of Arthur Gordon Pym of Nantucket" by Edgar Allan Poe. Or can the method used to decode the "Stonington" cipher be used to provide a solution for the April 20th 1970 Zodiac cipher.

The first part of this presentation is from a previous article.
On October 22nd 1969, the San Francisco Examiner newspaper published an article by Will Stevens, which laid down a challenge from Professor D.C.B. Marsh of the American Cryptogram Association (ACA) to the Zodiac Killer, attempting to coax him into revealing his name.

The newspaper stated "Dr Marsh told the Examiner today: "The killer wouldn't dare, as he claimed in letters to the newspapers, to reveal his name in the cipher to established cryptogram experts. He knows, to quote Edgar Allan Poe, that any cipher created by man can be solved by man. Zodiac has not told the truth in his cipher messages to the Examiner, the Chronicle and the Vallejo Times-Herald. Zodiac has not done this, because to tell the complete truth in relation to his name -in cipher code - would lead to his capture. I invite Zodiac to send The American Cryptogram Association a cipher code - however complicated - which will truly and honestly include his name".

Professor D.C.B. Marsh was probably hoping the Zodiac Killer would employ a cryptographic technique featured in the works of Edgar Allan Poe, thereby making any future cipher mailed by the Zodiac Killer easier to crack. As it turned out, the Zodiac Killer's 340 cipher mailed on November 8th 1969 could be solved using the scytale method of encryption detailed in Edgar Allan Poe's essay A Few Words on Secret Writing in the very first paragraph. We have Professor D.C.B. Marsh of the American Cryptogram Association creating the trigger, by inserting Edgar Allan Poe into the mind of the Zodiac Killer. The Zodiac Killer then created the 340 cipher that could be deciphered using the scytale method featured in Poe's A Few Words on Secret Writing. Therefore, what are the odds that one of Edgar Allan Poe's poems would partially appear in the solution to the 340 cipher?

I HOPE YOU ARE HAVING LOTS OF FUN IN TRYING TO CATCH ME - THAT WASN’T ME ON THE TV SHOW - WHICH BRINGS UP A POINT ABOUT ME - I AM NOT AFRAID OF THE GAS CHAMBER BECAUSE IT WILL SEND ME TO PARADICE ALL THE SOONER BECAUSE I NOW HAVE ENOUGH SLAVES TO WORK FOR ME WHERE EVERYONE ELSE HAS NOTHING WHEN THEY REACH PARADICE - SO THEY ARE AFRAID OF DEATH - I AM NOT AFRAID BECAUSE I KNOW THAT MY NEW LIFE IS LIFE WILL BE AN EASY ONE IN PARADICE DEATH.   

"To One in Paradise" was written by Edgar Allan Poe. This poem was first published as part of the short story titled "The Visionary" (later retitled as "The Assignation"). The poem was also published under the names "To lanthe in Heaven" and "To One Beloved". The title "To One in Paradise" was used in the February 25, 1843 Saturday Musuem. This poem was written after the death of Poe's wife. He writes that she was his life and he lived for her and now he looks forward to the future where they will be together again in death. link.

The Zodiac Killer would eventually mail the April 20th 1970 letter containing a 13 character code, prefixed with "My name is". The 340 cipher could be solved with the scytale method of decryption featured in Poe's essay A Few Words on Secret Writing, so it was extremely noteworthy that the second encryption technique covered in Poe's A Few Words on Secret Writing involved splitting the alphabet A through M, and N through Z. The Zodiac Killer's code on April 20th 1970 began with "A", ended with "M", and was 13 characters in length (half the alphabet). But why did the Zodiac Killer prefix the code with "My name is"? Edgar Allan Poe's only complete novel was entitled "The Narrative of Arthur Gordon Pym of Nantucket". The very first line of this book read  "My name is Arthur Gordon Pym". 

On January 29th 1974 the Zodiac Killer tempted us with his name by writing "Signed, yours truley" and then placing an extract from The Mikado's Tit-Willow verse. The implication being that the Zodiac Killer's name may be found within the verse. In 2017, I noticed that the complete Tit-Willow verse from Gilbert & Sullivan's play had the phrase "my name is" within the wording "my name isn't", reminiscent of the April 20th 1970 letter stating "This is the Zodiac speaking. By the way have you cracked the last cipher I sent you? My name is....", followed by a 13 character code.

The full Tit-Willow verse read "my name Isn't Willow, tit-willow, tit-willow", so could this have featured in the 13 character code? The Zodiac Killer could have playfully used Tit-Willow as his name on April 20th 1970, before reversing this on January 29th 1974 by invoking the Tit-Willow verse in his Exorcist letter. The proposed suggestion being "My name is only Tit-Willow". Although this solution fails by using the plaintext letters "T" and "I" to represent the ciphertext "circled 8", the three "circled 8's" can spell "TIT". One would like to believe that the Zodiac Killer - knowing his 13 character code was practically unsolvable - would have given us a clue in his later letters. So was the "Signed, yours truley" phrase, followed by "my name isn't" in 1974, that clue?   

To understand the mindset of the Zodiac Killer when composing his communications, we have to look for running themes over a period of time (such as Snoozy & Furlong) and evaluate whether his offerings were deliberately designed to mislead, or an extension of his true character. It has recently been shown that the "cannibal killer" Stanley Dean Baker (and possibly an accomplice) was almost certainly responsible for the murder of Robert Salem in his 745 Stevenson Street apartment in San Francisco on April 15th 1970. However, what weight do we attribute to a Zodiac letter being connected to this murder, when it was postmarked on the morning of April 20th 1970, four months after his last communication, but dated the same day Robert Salem's murder was featured in the San Francisco Chronicle and Zodiac's pseudonym reported as being being present on his apartment wall.

​To achieve this, the Zodiac Killer would had to have read the morning newspaper about Salem, create his letter in a short period of time, then mail the letter so it could be processed and stamped with a morning postmark. This would have made the code contained within the letter contemporary to the murder of Robert Salem (unless it was created in advance). The writing on the apartment wall stating "Satan Saves Zodiac" and the severing of Salem's left ear, led me to consider the possibility of the code reading "Skin A Satanist" or "Ate Severed Ear", which both fit seamlessly into the code. But these solutions would be more relevant to Stanley Dean Baker than the Zodiac Killer, with Baker branded a "hippie satanist" by the newspapers after he admitted removing victims body parts and eating them. However, I have come to the conclusion that both of these solutions to the Z13 are almost certainly incorrect. But what about the rest of the letter? 

There is a good reason to believe the Zodiac Killer was responsible for making a phone call to the San Jose, California Highway Patrol on December 19th 1969. On this date, somebody claiming to be the Zodiac Killer followed up his threats on the lives of multiple cops in the December 16th 1969 "Fairfield letter", by making a phone call to dispatcher Shirley Searey of the San Jose Highway Patrol and stating "I am going to kill five of you officers and a family of five between now and Monday". This threat towards California Highway Patrol may be relevant to his wording in the April 20th 1970 letter, when he wrote "But there is more glory in killing a cop than a cid because a cop can shoot back". Two weeks before this letter arrived - and dubbed the "Newhall Incident" - was the the worst massacre of police officers in the 80 year history of the California Highway Patrol, and possibly the worst in American history. It changed police procedure forever thereafter— improved police training on how to approach a suspect, better weaponry, bullet proof vests — saving the lives of many police officers in the line of duty. It was the story of the bravery and sacrifice of four young CHP officers, and the story of a true American hero, a civilian bystander who risked his life under fire from gun toting suspects to try to save the life of a downed patrolman. On the evening of April 5, 1970, four CHP officers, Roger Gore, Walt Frago, James "Skip" Pence, and George Alleyn were brutally gunned down by two dangerous suspects in the lot of a Standard Service Station next to J's Coffee Shop on what is now the intersection of the Old Road and Magic Mountain Parkway in Valencia, California. Link SCV History.com. 

The Zodiac Killer's wording of "But there is more glory in killing a cop than a cid because a cop can shoot back" on April 20th 1970 - bearing in mind the previous threat on five CHP officers on December 19th 1969 - could have been inspired by the wall-to-wall newspaper coverage of the "Newhall Incident" on April 5th/6th 1970. In Zodiac's letter, there was also the reference to the murder of San Francisco police officer Brian McDonnell on February 16th 1970, who suffered devastating and sadly fatal injuries two months earlier, when a bomb packed with heavy industrial fence staples exploded on an outside ledge of Park Police Station in the Upper Haight neighborhood. 

​The uncle of Brian McDonnell was Sergeant Joseph Emmett Lacey (40), murdered on December 30th 1956 while socializing with a friend at Eddies' Cocktail Lounge at 502 Ellis Street, San Francisco. The two were enjoying a drink, when two men brandishing firearms burst into the establishment with robbery in mind. Sergeant Lacey, despite being off-duty at the time, drew his gun and attempted to prevent the robbery, but was beaten to the draw and sadly died before reaching the Mission Emergency Hospital.  One of the robbers was apprehended shortly after the crime and plead guilty to first-degree murder. The actual shooter of Sergeant Lacey remained a free man for nearly three years, before being captured and found guilty of second-degree murder. Fourteen years after the murder of Joseph Lacey, the end of watch would unfortunately befall his nephew, Brian McDonnell.

​Whether this historical case was mentioned in the newspapers to some degree in relation to the Brian McDonnell murder is unknown - but if it was featured and noted by the Zodiac Killer, the sentence of "there is more glory in killing a cop than a cid because a cop can shoot back" would certainly have more meaning with respect to the April 20th 1970 communication. So, did the "Newhall Incident" or the murder of Sergeant Lacey (or both) have any role in the use of this phrase on April 20th 1970, or can we attribute pure coincidence to the wording chosen by the Zodiac Killer in this instance. 

The headline of the Desert Sun newspaper on February 17th 1970, covering the murder of Brian McDonnell, read "Haight Ashbury Police Station Rocked By Bomb. Six Officers Injured In Blast Showering Big U-Shaped Staples". The Zodiac Killer would seemingly use this headline, and capitalize and emphasize the word "Blast" when creating his Dragon card on April 28th 1970, stating "I hope you enjoy yourselves when I have my Blast"..He would repeat the word "blast" on the card inner, stating "If you don't want me to have this blast you must do two things". It is clear that the Zodiac Killer invariably created his communications with previous newspapers being the inspiration, so I would be extremely grateful if anybody with a newspapers.com subscription could search for any mention of Sergeant Joseph Lacey in respect to the murder of San Francisco police officer Brian McDonnell on February 16th 1970. Thank you.  

I would like to revisit something I've covered previously regarding the Exorcist letter mailed on January 29th 1974 and the "My Name is" letter mailed on April 20th 1970. When the Zodiac Killer designed the Exorcist letter he wrote "signed, yours truley" and then proceeded to paraphrase a verse from Tit-Willow and Gilbert & Sullivan's The Mikado. One would have thought that placing "signed, yours truley" preceding this verse was a prelude to his identity. When we visit the entirety of this act from The Mikado, it becomes apparent that the next line in the verse following what Zodiac quoted is "Now I feel just as sure as I'm sure that my name is(n't) Willow, titwillow, titwillow".

​In this instance we have a trinity of coincidences, where the Zodiac Killer tempts us with a signature from the verse, from which we can form the sentence of "my name is", that he previously used in his April 20th 1970 letter as an introduction to a mystery 13 symbol code and his name.

The Exorcist letter broke with tradition when he used "Me" instead of his crosshairs as an identity, before giving us his running victim total. Bearing in mind the aforementioned correlation between the Exorcist letter and "My Name is" letter, I couldn't help thinking his identity of "Me" would be found in the 13 symbol code using an extremely simplistic method. There is little doubt that the Zodiac Killer knew a 13 character code could not be solved using conventional techniques because of its length, so very likely created something superficial. The fact that this letter was mailed with an AM postmark on the same day the Robert Salem murder broke in the morning edition of the San Francisco Chronicle, with the Zodiac pseudonym scrawled on the wall of the victim's apartment - likely meant that this letter was prepared in haste. A code created this quickly has a high probability of being solved - a code with one repetitive feature of three circled 8's. Using the shift technique the Zodiac Killer employed in the 340 cipher, solved by David Oranchak (USA), Sam Blake (Australia) and Jarl Van Eycke (Belgium) in 2020, I used a period 8 shift in the code to select new characters 8 places to the right. 

Using a circular shift pattern, the first circled 8 right-shifted to the letter "M", the second circled 8 right-shifted to the letter "E", and the third circled 8 right-shifted to the Zodiac crosshairs, thereby equating the Zodiac Killer's identity to "ME", just as he had done in the Exorcist letter on January 29th 1974. Both of these correspondences tempted us with a name, both communications can be linked to The Mikado and the "my name is" phrase, and the April 20th 1970 code can easily reproduce the "Me" signature present in the Exorcist letter using the standout numerical feature in the code.

​Another communication, mailed on October 27th 1970, also featured a name synonymous with The Mikado, when the Zodiac Killer wrote *peek-a-boo you are doomed" around the knot-hole of a tree. Peek-a-boo was a character from an 1888 production of The Mikado, entitled The Capitalist. But take a look at the "ME" in the word doomed, in a card that stated "I feel it in my bones, you ache to know my name, and so I'll clue you in." 

The following is an amalgamation of previous articles: 

​Six months after the Zodiac Killer's Albany, New York letter and code, another letter would arrive at the San Francisco Chronicle on January 30th 1974. Postmarked the day before (January 29th), this letter was a curious blend of The Exorcist movie (1973) and the comedic opera The Mikado (1885), two productions separated by 88 years.

The Zodiac Killer plagiarized The Mikado twice in the July 26th 1970 letter, but this appeared to have some purpose in relation to his hunting activities - that the Zodiac Killer had created a list of potential victims, who he would then kill and ultimately torture in paradise. This seemed at odds with his use of The Mikado in 1974. Any suggestion that the Zodiac Killer was contemplating suicide at this juncture because of his choice of Tit-Willow, appeared to be dashed in the following paragraph when he stated "If I do not see this note in your paper, I will do something nasty, which you know I'm capable of doing". The notion that the Zodiac Killer had reached a watershed moment and was about to ditch the pseudonym he had coveted for so many years, would also be premature, when he mailed the 1978, 1986 and 1987 letters, all containing his infamous introduction of "This is the Zodiac speaking".

​The 1978 and 1987 letters had one thing in common with the 1974 letter, in that they all carried the wording "yours truly" or "yours truley", followed by a colon. This wording is commonly used before a signature, with the colon used to separate two independent clauses when the second explains or illustrates the first. In the 1978 and 1987 letters the Zodiac Killer follows "yours truly" with "guess", whereas, he inserts the plagiarized verse from Tit-Willow where his signature should be placed in the 1974 Exorcist letter. The primary conclusion to draw from this, is the Zodiac Killer was yet again asking us to "guess" his name through the verse of Tit-Willow. 

He may have been bluffing, but giving us his first name in such cryptic fashion could never be realistically used as evidence against him, because any conclusions drawn from this verse through subjective interpretation, would never have any standing in a court of law. There are five things in relation to The Exorcist movie and the Tit-Willow verse that point to one name. There is also another that points backwards to the April 20th 1970 letter, when the Zodiac Killer teased us with his name by stating "My name is", followed by a thirteen character code. The Exorcist book was written by William Blatty in 1971, which told the story of a twelve-year-old girl possessed by a powerful demon, that was later adapted by director William Friedkin in the film version released on December 26th 1973. The Tit-Willow verse from The Mikado was created by William Schwenck Gilbert, which contained multiple examples of "Will" and "Bill" within words such as "Willo" and "Billowy" (Will and Bill being short for William). This verse followed The Exorcist introduction and the promise of a signature by use of "yours truley". If we look at the next paragraph in the Tit-Willow verse from the complete version, it reads "Now I feel just as sure as I'm sure that my name Isn't Willow, titwillow, titwillow". Very reminiscent of the "My name is" letter, but in this instance "My name Isn't". 

Now let us take a look at the final paragraph of the Exorcist letter where he wrote "If I do not see this note in your paper, I will do something nasty, which you know I'm capable of doing". This mirrors his very first communications on July 31st 1969 when he wrote "I want you to print this cipher on your frunt page by Fry Afternoon Aug 1-69, If you do not do this I will go on a kill ram page Fry night that will last the whole week end. I will cruse around and pick of all stray people or coupples that are alone then move on to kill some more untill I have killed over a dozen people". On July 31st 1969 and January 29th 1974, he concluded both correspondences with the threat "to kill" more people if his letters were not published in the newspapers. In his decoded 408 cipher, he wrote "To kill something gives me the most thrilling experence". To the best of my knowledge, this is the only time the Zodiac Killer used the word "something" prior to January 29th 1974 - and used it in reference "to kill something". So, when we look at the final paragraph of the Exorcist letter where he wrote the words "I will do something nasty", it is apparent that "to kill something" was his likely threat. The Zodiac Killer then finished the letter with another puzzle (likely decoded by Kevin Robert Brooks). 

The San Francisco Chronicle ran a very clever newspaper article on October 22nd 1969 challenging the Zodiac Killer to issue another cryptogram that would surely contain his name. However, they did this hoping that the Zodiac Killer would create a cipher down the path they had guided him towards. By dropping the name Edgar Allan Poe into their challenge, they were relying on the Zodiac Killer choosing a cipher technique described in the essays of the American writer and poet, thereby increasing their chances of solving it.

​The murderer of five not only responded by employing the first cipher technique described in Poe's A Few Words on Secret Writing to create the 340 cipher, but also inserted one of Poe's poems into the message. Here is a portion of the newspaper article: "Dr Marsh told the Examiner today: "The killer wouldn't dare, as he claimed in letters to the newspapers, to reveal his name in the cipher to established cryptogram experts. He knows, to quote Edgar Allan Poe, that any cipher created by man can be solved by man. Zodiac has not told the truth in his cipher messages to the Examiner, the Chronicle and the Vallejo Times-Herald. Zodiac has not done this, because to tell the complete truth in relation to his name -in cipher code - would lead to his capture. I invite Zodiac to send The American Cryptogram Association a cipher code - however complicated - which will truly and honestly include his name".  

The first section of Poe's essay mentioned the encryption technique of using scytala to conceal a message. In cryptography, a scytale (also transliterated skytale), is a tool used to perform a transposition cipher, consisting of a cylinder with a strip of parchment wound around it, on which is written a message. This online scytale decoder can be used to unearth the message in the Zodiac Killer's 340 cipher, which used a period 19 shift. Quite the coincidence that the Zodiac Killer would employ a similar technique from the very first portion of the essay 'A Few Words on Secret Writing'. This alone is not evidence of a connection between the newspaper article, Edgar Allan Poe and the Zodiac Killer, but the following observations may change your mind.     

Five months later, the Zodiac Killer would then mail the "My name is" cipher on April 20th 1970, apparently responding to Dr. Marsh directly, with "This is the Zodiac speaking. By the way have you cracked the last cipher I sent you? My name is...."  In the essay 'A Few Words on Secret Writing', the second cipher technique described by Poe involves splitting the alphabet into two parts of 13, A to M, and N to Z. The Zodiac Killer's code this time contained 13 characters, beginning with A and ending with M.

But what is really interesting, is that the essay then suggests the notion of a perpetually shifting alphabet by creating two concentric circular pieces of pasteboard, with one placed inside the other and fixed, while the other can rotate. On each, the alphabet would be written (or random characters). By shifting the outer circle a certain number of spaces, different letters can represent others in the message. Bearing in mind the Zodiac Killer created three circled 8's, I considered the idea of placing Zodiac's 13 characters in two concentric circles with the characters aligned. In other words, A on the outer circle aligned with the A on the inner circle ,E on the outer circle aligned with the E on the inner circle, N on the outer circle aligned with the N on the inner circle, etc. Then I just shifted the outer circle 8 spaces clockwise, so that the 8's aligned with three new characters. Those characters were ME and the Zodiac crosshairs (shown above in the red boxes). 

Ordinarily, this would appear a little crude and unconvincing, if it wasn't for the fact the Zodiac Killer mailed the Exorcist letter on January 29th 1974, switching from his usual crosshairs equalling his victim total, to "Me" corresponding with his victim total. He often allotted SFPD=0, while giving himself the latest victim total (10 in the April 20th 1970 letter). If "Me" corresponds to a victim total and his crosshairs correspond to a victim total, then "Me" corresponds to the crosshairs (and Zodiac). The shifting of the 13 character cipher by a factor of 8 to create the message "Me (crosshairs), would be similar to the period 19 shift employed in the 340 cipher.

The Zodiac Killer must have known that by creating a 13 character code, he was making it practically unsolvable using standard cryptographic methods. By using this method, employing a simple "shift of 8" technique, we at least get a crude message that he used later in the Exorcist letter: "This is the Zodiac speaking. By the way have you cracked the last cipher I sent you? My name is Me (crosshairs)"   

The Zodiac Killer likely mailed this communication knowing it would arrive at the San Francisco Chronicle offices on April 21st 1970, which tallies with the only date supplied in the essay 'A Few Words on Secret Writing'. The Chronicle stated on April 22nd 1970 that "in a letter received yesterday, Zodiac claims he has killed again". A letter dated April 21st was noted by Edgar Allan Poe after a challenge had been laid down in Graham's Magazine. The responder to the challenge stated "In the April number of your magazine, while reviewing the translation by Mr. Walsh of “Sketches of Conspicuous Living Characters of France,” you invite your readers to address you a note in cipher". This was reminiscent of the direct challenge given to Zodiac by Dr. Marsh, to encode his name in cipher form.  

The Zodiac Killer would almost certainly have been aware that Edgar Allan Poe was a poet, so it would be rather fitting had Zodiac incorporated one of Edgar Allan Poe's poems into one of his ciphers or codes. We had to wait 51 years to find the answer to this question. In December 2020, David Oranchak, Sam Blake and Jarl Van Eykce cracked the 340 cipher, which ended with the likely message of "I AM NOT AFRAID BECAUSE I KNOW THAT MY NEW LIFE IS DEATH. LIFE WILL BE AN EASY ONE IN PARADICE". The moving epitaph to his recently deceased wife, written by Edgar Allan Poe, was delivered in the form of poetry and entitled "To One in Paradise". 

​Are all these connections to Edgar Allan Poe a coincidence?  

An amalgamation of articles: 
LATEST UPDATE, INCLUDING POLICE REPORTS & PHOTOGRAPHS

Sergeant John Lynch of the Vallejo Police Department received a typewritten card from a "concerned citizen" on August 10th 1969 stating "Dear Sergeant Lynch. I hope the enclosed "key" will prove to be beneficial to you in connection with the cipher letter writer. Working puzzles criptograms and word puzzles is one of my pleasures. Please forgive the absence of my signature or name as I do not wish to have my name in the papers and it could be mentiond by a slip of the tongue. With best wishes. concerned citizen". It also contained a working key to the 408 cipher, which was mailed by the Zodiac Killer in his three "code letters" to the Vallejo Times-Herald, San Francisco Chronicle and San Francisco Examiner on July 31st 1969. On October 7th 1969, another concerned citizen, this time describing himself as a "good citizen", mailed another cryptic message to Sergeant John Lynch, stating "On occasion, while thinking of the code letters, the pencil wrote:Go to 56 Beach Street. I get the name Jerry, perhaps he knows people or his name is XXXXXXX". The author by mentioning "code letters" is clearly referring to the trinity of communications mailed on July 31st 1969, to which the August 10th 1969 communication provided a key. Despite both the "concerned citizen" and "good citizen" communications being extremely brief in nature, both utilized the word "name" twice. The author of these two communications can be argued to be the Zodiac Killer, who also mailed the April 20th 1970 letter, teasing us with "my name is". Crucially, the "concerned citizen" card and code key had not been released into the public domain by the arrival of the "good citizen" letter.  

Recently I have been examining the murder of Robert Michael Salem who was found stabbed in his 745 Stevenson Street, San Francisco apartment on April 19th 1970. The April 20th 1970 Zodiac Killer letter was received at the San Francisco Chronicle the same day the Robert Salem murder was reported in their newspaper. The letter read "This is the Zodiac speaking. By the way have you cracked the last cipher I sent you? My name is", belatedly followed by "I hope you have fun trying to fiygure out who I killed". The Zodiac Killer chose three Christian symbols in his enclosed 13 character code that mirrored the Christian symbolism written in blood on the apartment wall of Robert Salem. Above the Japanese tatami mat where Robert Salem's body lay was the drawing of an Egyptian ankh or "crucified man", along with the wording "Satan Saves" and "Zodiac". The murder of Robert Salem and the April 20th 1970 letter so reeked of Christian symbolism that it was hard to ignore that the two weren't connected, and led me to believe that the wording "Satan Saves" had some biblical meaning with respect to Robert Salem and his homosexual lifestyle. Whether the drawing of the Egyptian ankh or "crucified man" on the wall of Robert Salem were interchangeable in the mind of the killer is unknown, but the San Francisco Chronicle on April 20th 1970 made no mention of the Egyptian ankh - making the appearance of the Christian anchor in Zodiac's 13-Symbol cipher intriguing. Anchor and ankh have the same phonetic root - and when the Zodiac Killer's crude anchor in the code is superimposed over the ankh drawing on Robert Salem's wall - a full and complete Christian anchor is revealed.   .

The ankh (key of life) was commonly held in the hands of ancient Egyptian deities, or being given by them to the pharaoh, to represent their power to sustain life and to revive human souls in the afterlife. The ankh was one of the most common decorative motifs in ancient Egypt and was also used decoratively by neighbouring cultures. Coptic Christians adapted it into the crux ansata, a shape with a circular rather than oval loop (as seen in the image above), and used it as a variant of the Christian cross. The message of "Satan Saves" rather than "Jesus Saves", along with a crucifix style cross, gives the strong impression of a murder with religious connotations, bearing in mind the anti-gay and intolerant Christian attitudes that permeated society in 1970 (and to a lesser extent today). Robert Salem was a gay man who may have unfortunately attracted somebody with the belief he was a sinner or non-believer - and hence the sarcastic message of "Satan Saves" and the "key of life" being drawn on his stomach. Clearly, the person who drew the symbol and writing, was portraying a message to the viewer (whether a belief sincerely held or not).

The most unusual and notable features inflicted to the body of Robert Salem were the crucifix style design "drawn" on his stomach and the removal of his left ear. Both of these featured heavily in the crucifixion of Jesus. Simon Peter, a disciple of Jesus, attempted to "save" and protect Jesus from arrest by severing the ear of Malchus, who was a servant of the Jewish High Priest Caiaphas. According to the gospels, Calaphas organized a plot to kill Jesus. The arrest of Jesus was a pivotal event in Christianity recorded in the canonical gospels. It occurred shortly after the Last Supper (during which Jesus gave his final sermon), and immediately after the kiss of Judas, which is traditionally said to have been an act of betrayal since Judas made a deal with the chief priests to arrest Jesus. This event ultimately led, in the Gospel accounts, to the crucifixion of Jesus. Although the right ear of Malchus was severed as opposed to the left ear of Robert Salem, this was the most viable connection I could find that links the two unusual features discovered by investigators on the body of Robert Salem.​

The immediate murder with a Zodiac connection after the "latent homosexual" suggestion was floated in the San Francisco Chronicle, where the Bay Area murderer's pseudonym was found at the crime scene, was the murder of gay man, Robert Salem on April 15th 1970 in San Francisco. The Zodiac Killer's 13-Symbol cipher is arguably contemporary in nature, with his April 20th 1970 letter being mailed the same day this murder was published in the newspapers. Homosexuality and acceptance has been a continuing struggle for gay activists to this day, but the 1960s and 1970s were arguably more difficult times with newspaper coverage on this topic less than acceptable. Many religious people were unwilling to accept individual rights, claiming that homosexuality was the mark of the beast and an abomination in the eyes of God. The writing in blood on Robert Salem's apartment wall stating "Satan Saves" must have had some meaning to the killer - so was it in any way connected to the sexual preferences of Robert Salem? I couldn't help thinking that the "Satan Saves" element written in blood on the apartment wall had a more important role to play, not only in the fact Robert Salem was homosexual, but in the damage inflicted to his body and the removal of his left ear. So I looked for a bible verse that may have been known to the killer. 

​I also had to be mindful that the bible verse was relevant to perceived "sins of the flesh". In other words, the murderer of Robert Salem had an issue with homosexuality and believed it to be satanic, wanting to deliver him unto Satan to be saved (see image above). Hence the wording "Satan Saves". 1 Corinthians 5:5 featured Paul, who had commanded the Christians in Corinth to remove from among them a man who was sleeping with his father's wife, a form of sexual immorality that even their own pagan culture condemned. The killer of Robert Salem may have considered his lifestyle the devil's work and a form of sexual immorality that resulted in "destruction of the flesh" as witnessed by investigators at the crime scene. I also took the "Satan" element from the apartment wall and combined it with the "destruction of the flesh" to create a relevant solution to the 13-Symbol cipher of "Skin A Satanist". Not only did the Zodiac Killer encipher the word "skin" twice in the 148 character cipher in 1971, but it was relevant to the Robert Salem crime scene in April 1970.

Robert Michael Salem was found murdered in his 745 Stevenson Street San Francisco apartment on April 19th 1970, accompanied by the drawing of a religious crux ansata (crucified man) and the words "Satan Saves" scrawled in blood on the wall. This somewhat mirrored the religious characters in the 13 character code mailed by the Zodiac Killer the following day (April 20th 1970), when he posed the question "I hope you have fun trying to fiygure out who I killed". Investigators found no forced entry at Robert Salem's apartment, and little appeared to have been taken from the property other than possibly some money from an open wallet on a shelf. The crime scene appeared to scream of far more than a simple robbery. This opens up the possibility that Robert Salem was murdered by somebody known to him, or somebody that befriended him with common interests. Robert Salem was a lamp designer whose products had been exhibited in Japan, England and Russia. His apartment certainly showed an Oriental influence, with a Japanese hurricane lamp hanging from the ceiling, tree trunks prominent in the apartment in the style of Japanese tea houses, and he was discovered murdered wearing Oriental lounging clothes on top of a Japanese tatami mat.

Three months after this crime, the Zodiac Killer mailed the Little List letter on July 26th 1970 paraphrasing two acts from The Mikado, a Gilbert & Sullivan comic opera set in Japan. The first act he paraphrased was entitled A More Humane Mikado, followed by As Some Day It May Happen, in which victims or society offenders must be found and who would never be missed. His introduction in the communication detailed how he would torture his victims in paradise, stating in one part: "Others I shall skin them alive + let them run around screaming". In the middle of 1971 the Zodiac Killer would again mention the skinning of victims, when he encrypted the following in his 148 character cipher: "If this is not on the front page in a week I will skin 3 little kids and make a suit from the skin", and wrote in accompaniment to the cipher "Next time I will send a patch of human skin". This is why I found the phrase "Skin A Satanist" very interesting, when from a cryptology standpoint it satisfied the 13 character code on April 20th 1970, arriving the same day the Robert Salem story broke in the San Francisco Chronicle detailing the "Satan Saves" on the apartment wall. Robert Salem was effectively skinned, when his left ear was severed and taken from the crime scene. On January 29th 1974 the Zodiac Killer would again recite a section from The Mikado using a verse from Tit-Willow. Not only did he paraphrase the Japanese based opera, but he added some Oriental characters at the foot of the letter. One line in this act reminded me of the introduction in the April 20th 1970 (My Name Is letter). It read "Now I feel just as sure as I'm sure that my name Isn't Willow, titwillow, titwillow", 

Robert Salem was a flamboyant character with an interest in the arts, having been the lighting designer for the historic Haslett Warehouse at 680 Beach Street, San Francisco in 1969. Other than the mention of Washington and Maple streets on October 13th 1969, the only other street the Zodiac Killer ever imentioned in his communications (if authentic} was when he mailed a letter to Sergeant John Lynch on October 7th 1969, when he wrote ''Go to 56 Beach Street. I get the name Jerry, perhaps he knows people or his name is XXXXXXX''. So, was the Zodiac Killer in the apartment of Robert Salem in April 1970?​​​

​​Cragle, an excellent Zodiac researcher who contributes to both forums, sent Michael Morford some invaluable information that he knew I would like (and Mike subsequently added some extra findings). It was fantastic news. A letter was possibly mailed by the Zodiac Killer on October 7th 1969, containing the wording ''Go to 56 Beach Street. I get the name Jerry, perhaps he knows people or his name is XXXXXXX'' (and mentioned code letters). This letter can now be inextricably linked to the Concerned Citizen card postmarked August 10th 1969, which gave us a key to the 408 cipher, mailed by the Zodiac Killer within three "code letters" on July 31st 1969. The 56 Beach Street address never existed in 1969, except for on street planning maps. Cragle found a Carl John Welz (married to Jerry Hatcher) who were working at 680 Beach Street, San Francisco and living at 2529 Union Street, San Francisco in 1969, He had a Batchelor and Master of Arts, taught in many public and  private schools and was well known in Christian science circles with a mentioned periodical from him in 1967 (see below).

If this was the "Jerry" a possible Zodiac Killer was referring to, then this is an enormous find, Carl John Welz (and wife) would most likely have been working at 680 Beach Street at the same time as Robert Michael Salem, who was murdered by somebody claiming to be the Zodiac Killer on April 15th 1970. Throughout 1969, Robert Salem worked as the lighting designer for the historic Haslett Warehouse at 680 Beach Street. Carl John Welz wrote an anti gay article entitled Homosexuality Can Be Healed, so the fact that murdered Robert Salem was a homosexual with the wording "Satan Saves" and a "crucified man" drawn in blood on his apartment wall, with the pseudonym Zodiac present also, makes this is a significant find. We can now connect the August 10th and October 7th 1969 communications, link the name "Jerry" to the Haslett Warehouse at 680 Beach Street, and to murder victim Robert Salem, who also worked there - and finally - combine the religious overtones from the above article to the apartment wall, and to the Zodiac Killer's 13-Symbol cipher.. 

Robert Michael Salem was found murdered in his 745 Stevenson Street San Francisco apartment on April 19th 1970, accompanied by the drawing of a religious crux ansata (crucified man) and the words "Satan Saves" scrawled in blood on the wall. This mirrored the religious characters in the 13 character code mailed by the Zodiac Killer the following day (April 20th 1970), when he posed the question "I hope you have fun trying to fiygure out who I killed". Investigators found no forced entry at Robert Salem's apartment, and little appeared to have been taken from the property, other than possibly some money from an open wallet on a shelf. The crime scene appeared to scream of far more than a simple robbery. This opens up the possibility that Robert Salem was murdered by somebody known to him, or somebody that befriended him with common interests. Robert Salem was a lamp designer, whose products had been exhibited in Japan, England and Russia. His apartment certainly showed an Oriental influence, with a Japanese hurricane lamp hanging from the ceiling, tree trunks prominent in the apartment in the style of Japanese tea houses, and he was discovered murdered wearing Oriental lounging clothes on top of a Japanese tatami mat.

Three months after this crime, the Zodiac Killer mailed the Little List letter on July 26th 1970, paraphrasing two acts from The Mikado, a Gilbert & Sullivan comic opera set in Japan. The first act he paraphrased was entitled A More Humane Mikado, followed by As Some Day It May Happen, in which victims or society offenders must be found, and who would never be missed. His introduction in the communication detailed how he would torture his victims in paradise, stating in one part: "Others I shall skin them alive + let them run around screaming". In the middle of 1971, the Zodiac Killer would again mention the skinning of victims, when he encrypted the following in his 148 character cipher: "If this is not on the front page in a week I will skin 3 little kids and make a suit from the skin", and wrote in accompaniment to the cipher "Next time I will send a patch of human skin". This is why I found the phrase "Skin A Satanist" very interesting, when from a cryptology standpoint, it satisfied the 13 character code on April 20th 1970, arriving the same day the Robert Salem story broke in the San Francisco Chronicle detailing the "Satan Saves" on the apartment wall. Robert Salem was effectively skinned, when his left ear was severed and taken from the crime scene. On January 29th 1974, the Zodiac Killer would again recite a section from The Mikado, using a verse from Tit-Willow. Not only did he paraphrase the Japanese based opera, but he added some Oriental characters at the foot of the letter. One line in this act reminded me of the introduction in the April 20th 1970 (My Name Is letter). It read "Now I feel just as sure as I'm sure that my name Isn't Willow, titwillow, titwillow", 

Robert Salem was a flamboyant character with an interest in the arts, having been the lighting designer for the historic Haslett Warehouse at 680 Beach Street, San Francisco in 1969. Other than the mention of Washington and Maple streets on October 13th 1969, the only other street the Zodiac Killer ever imentioned in his communications (if authentic} was when he mailed a letter to Sergeant John Lynch on October 7th 1969, when he wrote ''Go to 56 Beach Street. I get the name Jerry, perhaps he knows people or his name is XXXXXXX''. So, was the Zodiac Killer in the apartment of Robert Salem in April 1970?

LATEST UPDATE, INCLUDING POLICE REPORTS & PHOTOGRAPHS

ASSOCIATED ARTICLES:
ANCHORS AWEIGH
ROBERT SALEM-A ZODIAC MURDER?
A CONTEMPORARY CODE ON APRIL 20TH 1970
THE ZODIAC KILLER-DRIVEN BY DEVIANCY     
A SATANIC MESSAGE IN CODE? 
THE "SKIN MARKINGS" ON ROBERT SALEM 
​DELIVER UNTO SATAN

​Recently I have been examining the horrific murder of Robert Salem (40), stabbed seven times in his 745 Stevenson Street, San Francisco apartment on April 15th 1970. Robert was a gay man, whose lifestyle may have attracted the attention of the Zodiac Killer or another sick individual, who left many clues at the crime scene to suggest a religious element to the comissmion of this murder. Either that, or the person responsible wanted us to draw this conclusion. The murderer of Robert Salem had written "Satan Saves", "Zodiac", and drawn an Egyptian ankh (or crux ansata/cross surmounted by a loop) in blood on the apartment wall. The same day this story broke in the newspapers, on April 20th 1970, the Zodiac Killer mailed a letter to the San Francisco Chronicle with a short thirteen character code containing a Christian anchor, Celtic cross (a form of Christian cross) and 888 (the number representing Jesus in Christian numerology). Not only did the Christian element span both crime scene and letter, the ear of Robert Salem was also severed and removed from the crime scene by the killer. The murderer had also drawn a crucifix style design on Robert Salem's stomach. 

In a previous article, it was noted that both of these featured heavily in the crucifixion of Jesus. Simon Peter, a disciple of Jesus, attempted to "save" and protect Jesus from arrest by severing the ear of Malchus, who was a servant of the Jewish High Priest Caiaphas. According to the gospels, Calaphas organized a plot to kill Jesus. The arrest of Jesus was a pivotal event in Christianity recorded in the canonical gospels. It occurred shortly after the Last Supper (during which Jesus gave his final sermon), and immediately after the kiss of Judas, which is traditionally said to have been an act of betrayal since Judas made a deal with the chief priests to arrest Jesus. This event ultimately led, in the Gospel accounts, to the crucifixion of Jesus. Although the right ear of Malchus was severed, as opposed to the left ear of Robert Salem, this was the most viable connection I could find that links the two unusual features discovered by investigators on the body of Robert Salem. However, I couldn't help thinking that the "Satan Saves" element written in blood on the apartment wall had a more important role to play, not only in the fact Robert Salem was homosexual, but in the damage inflicted to his body and the removal of his left ear. So I looked for a bible verse that may have been known to the killer.     

I also had to be mindful that the bible verse was relevant to perceived "sins of the flesh". In other words, the murderer of Robert Salem had an issue with homosexuality, believing it to be satanic, and wanted to deliver him unto Satan to be saved (see left image). Hence the wording "Satan Saves".

1 Corinthians 5:5 featured Paul, who had commanded the Christians in Corinth to remove from among them a man who was sleeping with his father's wife, a form of sexual immorality that even their own pagan culture condemned. The killer of Robert Salem may have considered his lifestyle the devil's work and a form of sexual immorality, that resulted in "destruction of the flesh" as witnessed by investigators at the crime scene. 

I also took the "Satan" element from the apartment wall and combined it with the "destruction of the flesh", to create a relevant solution to the 13-Symbol cipher of "Skin A Satanist". Not only did the Zodiac Killer encipher the word "skin" twice in the 148 character cipher in 1971, but it was relevant to the Robert Salem crime scene in April 1970.

LATEST UPDATE, INCLUDING POLICE REPORTS & PHOTOGRAPHS

ASSOCIATED ARTICLES:
ANCHORS AWEIGH
ROBERT SALEM-A ZODIAC MURDER?
A CONTEMPORARY CODE ON APRIL 20TH 1970
THE ZODIAC KILLER-DRIVEN BY DEVIANCY     
A SATANIC MESSAGE IN CODE? 
THE "SKIN MARKINGS" ON ROBERT SALEM 

Mike Rodelli is convinced that DNA will not solve the Zodiac case because the authenticated letters were not licked by the sender. Mike Rodelli spoke to Alan Keel in 2007, who was a Criminalist at the San Francisco Police Department from 1996 to 1999. He gave Mike Rodelli the following information: "that there were two letters in possession of the department that, in contrast to the "true" Zodiac letters, had abundant saliva and DNA-containing oral epithelial cells on them, that DNA was easily extracted from these two letters, and that the DNA extracted from these two letters matched between them. These two letters were considered forgeries, since the "true" Zodiac verifiable letters had not been licked by the sender". According to Mike, Alan Keel had "analyzed two letters, one of which is the 1978 'forgery', and finds that this letter and one of the 1974 letters are loaded with saliva and cells. He then easily extracts DNA from both of these letters using the more primitive DNA technology of that time and finds that the DNA matches between those two letters, thus proving that one person sent both".

On October 29th 2021, Mike Rodelli stated on the Zodiac Killer message board "The fact remains that in 2007 Keel told me, as he had told Lafferty before me, that there is a 1974 forgery based on DNA and the ONLY 1974 letter that had been tested for the presence of cells during Keel's tenure (as demonstrated by the DNA chart that I believe Keel made in about 2000) was the Exorcist letter. This is not rocket science.  Even if it is not the Exorcist letter that Keel was talking about, it IS a candidate as being a forgery whose DNA matches the 1978 letter based on the information in the chart".

In his book, The Hunt For Zodiac, he stated "Now there was DNA proof that whoever had penned the April 1978 letter had also penned one of the 1974 letters. And apparently it was not Zodiac. According to the chart of DNA testing results compiled by SFPD's lab in ca. 2000, the only one of the 1974 letters that had been tested by Keel up to that time was the January Exorcist letter. This was the letter that had a swarm of palm prints on it. This created an interesting dilemma that lends credence to the possibility that this is a forged letter. Zodiac had penned a dozen letters prior to writing the Exorcist letter and had never left even a single palm print on them. So why had he suddenly and carelessly taken off his glove(s) to write this one and leave a virtual montage of his palms all over it. From that standpoint alone, it makes sense that someone else may have written the Exorcist letter, its bizarre content notwithstanding. While it is possible that one of the other three letters was tested for DNA subsequent to the compilation of the DNA summary chart that Keel had assembled, I believe that on balance the most likely candidate for being the 1974 forgery is the Exorcist letter until proven otherwise". Mike Rodelli is almost certainly correct that the 1974 Exorcist letter is overwhelmingly the most likely DNA match for the 1978 letter (because it was the only tested in the DNA chart), but here is the almost certain proof that neither the 1974 Exorcist or April 1978 letter were forgeries. 
​
Take a look at the address style, spacing and handwriting of the Exorcist letter envelope (below), and compare it to the two April 1970 communications (in particular the Dragon Card envelope). These two April 1970 envelopes had not been publicly released by 1974. They were the only confirmed Zodiac communications to use the address style of San Fran (dot) Chronicle prior to January 29th 1974. The January 29th 1974 author (if a hoaxer) could never have produced such similarity, or had knowledge of the address style of the April 1970 communications. But the real Zodiac Killer could have. 

​Mike Rodelli is confident that the SLA letter mailed in 1974 was authored by the Zodiac Killer, stating "Envelopes: This is where the rubber truly meets the road in this discussion and where we can see that it is unlikely that anyone but Zodiac wrote the SLA letter. When you look at the hand printing on the SLA letter in a vacuum, it certainly does not jump off the page to me that it was penned by Zodiac. But when you take a close look at the envelope, that is a different story". Mike then gave me a list of envelopes here, to compare with the SLA envelope. If Mike is confident that these comparisons strongly argue for the SLA letter being Zodiac, there is no way he can argue against the Exorcist letter envelope being the same author as the two April 1970 communications (particularly the Dragon Card). If the two April 1970 communications are genuine Zodiac, then so is the Exorcist letter. If the Exorcist letter is genuine, and the argument in favor of the Exorcist letter DNA matching the 1978 letter DNA by Mike Rodelli is correct, then the 1978 letter is genuine too. 

In the link above, Mike Rodelli argued that the writing on the SLA envelope is consistent with the Stine envelope, 340 envelope, Bus Bomb envelope and Kathleen Johns envelope, stating "It's hard to look at these envelopes and not see the similarities. And note that the November 8, 1969 envelope contained a piece of Stine's shirt, thus proving its authorship as being from Zodiac. There it is in black and white. So the evidence seems to show that, regardless of the timing and his reason for being in Los Angeles on February 3, 1974 (assuming that the letter was posted from there on that date), it was, in fact, the Zodiac killer who sent the SLA letter, not the SLA itself, which, once again, would not have benefitted from its contents. Nor is there any reason why they would have benefitted from imitating Zodiac's handwriting on the envelope but not attributing the enclosed later to him".

Again, if Mike Rodelli is claiming these envelope comparisons are good proof the SLA letter is genuine, he now cannot with any good conscience claim that the comparisons between the Exorcist envelope and the two April 1970 envelopes are not equally as good. Especially when the April 28th 1970 envelope had never been released into the public domain for the author of the Exorcist envelope to copy (not only the handwriting, but the format of San Fran (dot) Chronicle). This being the case, Mike Rodelli (based on his statements) must now accept that the Exorcist letter and SLA letter are genuine Zodiac correspondence. Therefore, if Alan Keel is correct and the 1978 letter DNA matches one of the 1974 communications, we are left with the Badlands card or Red Phantom letter for Mike Rodelli to choose from. But this is what happens to the SLA envelope when we add the "tails" from the Red Phantom envelope. Bearing in mind the SLA envelope wasn't available for the author of the Red Phantom envelope to copy, the writing is virtually indistinguishable from one another, along with a single comma and address format. If Mike Rodelli finds "It hard to look at the envelopes he suggested and not see the similarities to the SLA envelope", he cannot fail to see the similarity between the SLA envelope and Red Phantom envelope. If he believes that the SLA letter was authored by the Zodiac Killer, he now must accept (using his arguments) that the Red Phantom letter was authored by the Zodiac Killer as well. Fortunately, in his book he does.    

However, in his book Hunt For the Zodiac, he also makes an extended case for the Badlands letter being the Zodiac Killer, stating "In it (the Badlands letter), the anonymous author is accepted based on hand printing as having once again been Zodiac". So, Mike Rodelli is arguing that the SLA letter, Badlands card and Red Phantom letter are genuine Zodiac, but the Exorcist letter is the one he questions most. But if he accepts the arguments he has given for these communications being authentic Zodiac (including the SLA envelope handwriting), he can only come to the conclusion that the Exorcist letter is genuine too. We can therefore conclude, using Mike Rodelli's own words, that if Alan Keel showed a DNA match between the 1978 letter and one of the 1974 letters (and all the 1974 letters are genuine), then the Zodiac Killer licked the envelopes and stamps on the 1978 letter, Exorcist letter, SLA letter, Badlands card and Red Phantom letter. In other words, he never used tap water. The only way that Mike Rodelli can maintain the claims made at the beginning of this article, is to say the comparisons between the two April 1970 envelopes and the Exorcist envelope are not as valid as the comparisons he has made between the SLA envelope and the four envelopes he listed. In good faith, that argument cannot be made. The reality is, that the Exorcist letter is genuine Zodiac correspondence, and contrary to the arguments Mike Rodelli has made. 

Robert Michael Salem was stabbed seven times and murdered in his 745 Stevenson Street, San Francisco apartment on April 15th 1970. His body was discovered by friends from the nearby San Franciscan Hotel on April 19th 1970 when they realized they hadn't seen Robert Salem for several days. Investigators found a gruesome scene, with the blood of Robert Salem having been used to scrawl the words "Satan Saves" and "Zodiac" on the apartment wall, accompanied by a drawing of the ancient Egyptian ankh symbol. The ankh symbol, as detailed in the newspapers, was also "drawn on Salem's stomach". Whether the symbol on Robert Salem's stomach had been carved into his flesh or "drawn" on by a marker pen cannot be ascertained by this wording alone, but clearly this symbol held some significance to the person who perpetrated this murder (or wanted us to believe it did).

The ankh (key of life) was commonly held in the hands of ancient Egyptian deities, or being given by them to the pharaoh, to represent their power to sustain life and to revive human souls in the afterlife. The ankh was one of the most common decorative motifs in ancient Egypt and was also used decoratively by neighbouring cultures. Coptic Christians adapted it into the crux ansata, a shape with a circular rather than oval loop (as seen in the image above), and used it as a variant of the Christian cross. The message of "Satan Saves" rather than "Jesus Saves", along with a crucifix style cross, gives the strong impression of a murder with religious connotations, bearing in mind the anti-gay and intolerant Christian attitudes that permeated society in 1970 (and to a lesser extent today). Robert Salem was a gay man, who may have unfortunately attracted somebody with the belief he was a sinner or non-believer - and hence the sarcastic message of "Satan Saves" and the "key of life" being drawn on his stomach. Clearly, the person who drew the symbol and writing, was portraying a message to the viewer (whether a belief sincerely held or not).

This idea was exacerbated by the Zodiac Killer's use of three circled eights (Jesus in Christian numerology) and the "anchor" symbol  in his April 20th 1970 letter. The word "anchor" has the same phonetic root as the Egyptian "Ankh", and Christians adopted the anchor as a symbol of hope in future existence because the anchor was regarded in ancient times as a symbol of safety. Maybe significant, was the fact the ankh symbol or crux ansata featured twice at the Robert Salem crime scene, which Christians used as a variant for the Christian cross (seen as a representation of the crucifixion of Jesus on a large wooden cross). Bearing in mind the crucifix style design in blood on the wall of Robert Salem, coupled with his unusual injuries, it was important to examine if any correlation between the two existed (no matter how unlikely). 

The most unusual and notable features inflicted to the body of Robert Salem, were the crucifix style design "drawn" on his stomach and the removal of his left ear. Both of these featured heavily in the crucifixion of Jesus. Simon Peter, a disciple of Jesus, attempted to "save" and protect Jesus from arrest by severing the ear of Malchus, who was a servant of the Jewish High Priest Caiaphas. According to the gospels, Calaphas organized a plot to kill Jesus. The arrest of Jesus was a pivotal event in Christianity recorded in the canonical gospels. It occurred shortly after the Last Supper (during which Jesus gave his final sermon), and immediately after the kiss of Judas, which is traditionally said to have been an act of betrayal since Judas made a deal with the chief priests to arrest Jesus. This event ultimately led, in the Gospel accounts, to the crucifixion of Jesus. Although the right ear of Malchus was severed, as opposed to the left ear of Robert Salem, this was the most viable connection I could find that links the two unusual features discovered by investigators on the body of Robert Salem.
​
LATEST UPDATE, INCLUDING POLICE REPORTS & PHOTOGRAPHS

ASSOCIATED ARTICLES:
ANCHORS AWEIGH
ROBERT SALEM-A ZODIAC MURDER?
A CONTEMPORARY CODE ON APRIL 20TH 1970
THE ZODIAC KILLER-DRIVEN BY DEVIANCY     
A SATANIC MESSAGE IN CODE? 

The point was made in an earlier article that the immediate murder with a Zodiac connection after the "latent homosexual" suggestion was floated in the San Francisco Chronicle, where the Bay Area murderer's pseudonym was found at the crime scene, was the murder of gay man, Robert Salem, on April 15th 1970 in San Francisco. The Zodiac Killer's 13-Symbol cipher was argued as being contemporary in nature, with his April 20th 1970 letter being mailed the same day this murder was published in the newspapers. Homosexuality and acceptance has been a continuing struggle for gay activists to this day, but the 1960s and 1970s were arguably more difficult times, with newspaper coverage on this topic less than acceptable. Many religious people were unwilling to accept individual rights, claiming that homosexuality was the mark of the beast, and was an abomination in the eyes of God. The writing in blood on Robert Salem's apartment wall stating "Satan Saves" must have had some meaning to the killer - so was it in any way connected to the sexual preferences of Robert Salem? This writing was accompanied by an Egyptian ankh, adopted by Coptic Christians as early as AD 200. If the 13-Symbol cipher was based on the murder of Robert Salem, one could argue that the writing on the apartment wall, along with the murder of Robert Salem, may have featured in this extremely short code.  

The only other time the Zodiac Killer mailed a cipher in connection with a brutal knife murder, was when he mailed the 148 character cipher shortly after the arrest and interrogation of Karl Francis Werner for the murders of Kathie Snoozy, Debra Furlong and Kathy Bilek on August 3rd 1969 and April 11th 1971. In the 148 character cipher the Zodiac Killer encrypted "I will skin three little kids and make a suit from the skin", and wrote "I will send a patch of human skin if their is some left over" in the message of the accompanying letter. Bearing in mind the killer removed Robert Salem's left ear and took it from the crime scene, I considered the possibility that the word "skin" may feature in the 13-Symbol cipher, alongside the word "satan" (or an extension of it), taken from the apartment wall. In other words, the encrypted message was related to the murder scene of Robert Salem. The dash after "My name is" in the April 20th 1970 letter, being the withheld name, with the 13-Symbol cipher being the message. 

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ASSOCIATED ARTICLES:
ANCHORS AWEIGH
ROBERT SALEM-A ZODIAC MURDER?
A CONTEMPORARY CODE ON APRIL 20TH 1970
THE ZODIAC KILLER-DRIVEN BY DEVIANCY     

The 408 cipher mailed on July 31st 1969 could be considered an introductory cipher by the Zodiac Killer, laying out his plans to collect more slaves for his afterlife and warning police of more murder to come. The 340 cipher, solved by eminent cryptographers David Oranchak, Sam Blake and Jarl Van Eycke in December 2020 was contemporary in nature, and effectively called out Eric Weill who telephoned into the Jim Dunbar TV Show on October 22nd 1969, that initiated the response of Zodiac just over two weeks later, who stated "That wasn't me on the TV show". The 32-Symbol cipher was also contemporary in nature, threatening to detonate a bomb in San Francisco & Vicinity soon after the Zodiac Killer had referenced the Park Police Station bombing (on April 20th 1970) which killed San Francisco police officer Brian McDonnell. The Zodiac Killer also called out Karl Francis Werner shortly after his arrest and interrogation for the murders of Snoozy & Furlong on April 29th 1971, again encoding a contemporary message stating "stop listening to phonys". This message (plural in nature) was not only labelling Karl Francis Werner as an imposter, but included Eric Weill from the Jim Dunbar Show - and effectively bound the 340 and 148 character ciphers under the banner of one author.

This should make you think, when you consider the April 20th 1970 letter arriving after 121 days sf silence from the Zodiac Killer, mailed on the same day his Zodiac pseudonym was reported in the San Francisco Chronicle as being written in blood on the wall of murder victim Robert Michael Salem, stabbed to death in his 745 Stevenson Street apartment. Was this just sheer coincidence after four months, or was the letter a rushed response to the breaking news in the Chronicle newspaper on the same day (with an AM postmark)? If you play the odds, the chances that this was coincidence, may appear unlikely. If the April 20th 1970 letter was a response to the San Francisco Chronicle article, then the cipher and bus bomb diagram were literally created in a matter of hours. Of course, the 13-Symbol code could have been designed in advance and added to his letter - but if not - the message contained within the code could likely be a reaction to the latest news about Robert Salem, or at the very least, be extremely contemporary in nature if his other three ciphers are anything to go by.

In fact, if you believe the 148 character cipher and letter in 1971 as genuine Zodiac material (as I do), then there will never be any reasonable chance of the Zodiac Killer ever revealing his real name in any code or communication, because the Zodiac Killer comprehensively stated in the 1971 letter that "I will never give my name because you don't understand". The offering of an alternative name in the Z13 seems equally unlikely, because its lack of ciphertext characters lends itself to thousands of possibilities, rendering any alternative name a pointless exercise when it cannot be verified. There appears two ways forward: [1] either the Zodiac Killer fashioned a code based on the Robert Salem murder or its column inches, so contemporary in nature, that it would carry great significance when unearthed, or [2] It isn't necessarily contemporary in nature and the answer or key lies in subsequent communications. The Zodiac Killer would almost certainly have known a code of just 13 characters was practically unsolvable, so the notion of a solve so contemporary in nature as to cement its validity, appears a justifiable avenue to explore. 

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This is a follow up article to Anchors Aweigh concerning the knife murder of Robert Michael Salem, whose body was discovered in his 745 Stevenson Street, San Francisco apartment on April 19th 1970. The Zodiac Killer mailed a communication to the San Francisco Chronicle on April 20th 1970, the very same day this story broke in the San Francisco Chronicle. If this wasn't a coincidence after 121 days of silence from the Zodiac Killer - and he reacted to the San Francisco Chronicle morning edition about the Robert Salem murder - then he had to write this letter (that included a code and bomb diagram) and mail it extremely quickly, to enable this communication to bear the postmark "SAN FRANCISCO CALIF, 4A AM 20 APR". In other words, it had to be created, mailed, collected and processed in the morning to carry an AM postmark. But was the letter designed with Robert Salem in mind? 

The San Francisco Chronicle article on April 20th 1970 only described the drawing on Robert Salem's apartment wall as "a weird cross like design with an arc, similar to the Zodiac's circled cross insignia". There was no mention of an Egyptian ankh or Crux Ansata, no mention of a crucifix style design - and other than the writing "Satan Saves Zodiac" - no mention of Christianity or Jesus Christ. The ankh or key of life (drawn in blood on the apartment wall of Robert Salem) is an ancient Egyptian hieroglyphic symbol used in Egyptian art and writing to represent the word for "life" and, by extension, as a symbol of life itself. It was especially commonly held in the hands of ancient Egyptian deities, or being given by them to the pharaoh, to represent their power to sustain life and to revive human souls in the afterlife. Because it symbolizes immortality and the universe it was initially borrowed by the fourth-century Coptic Christians who used it as a symbol to reinforce Christ's message that there is life after death. The ankh cross as a symbol of eternal life eventually lost its loop at the top to become the Christian cross which, like the ancient ankh, is worn by believers in Jesus Christ in the present day for the same reason: to identify with their god and all that god promises. link.  Much more recently, the ankh has become a popular symbol in modern Western culture, particularly as a design for jewelry and tattoos. Its resurgence began when the counterculture of the 1960s stirred a greater interest in ancient religions.

Despite no direct mention of Christianity, Jesus Christ or the Egyptian Ankh in the San Francisco Chronicle article on April 20th 1970, the Zodiac Killer within hours would manufacture a code letter containing the three circled eights (which represents the name Jesus in Christian numerology, with the number 8 representing rebirth and regeneration, and infinity/eternity), along with a Christian anchor symbol. Christians adopted the anchor as a symbol of hope in future existence because the anchor was regarded in ancient times as a symbol of safety. For Christians, Christ is the unfailing hope of all who believe in him: Saint Peter, Saint Paul, and several of the early ​Church Fathers speak in this sense. link. 

So, did the Zodiac Killer create the 13-Symbol code the same day the Chronicle article was released, containing four characters of Christian symbolism, representing Jesus Christ, eternity and the afterlife, based solely upon the phrase "Satan Saves Zodiac", or was the Zodiac Killer fully aware of the Egyptian ankh symbol (representing Christianity and the hope of everlasting life) drawn in blood, because he was present in the 745 Stevenson Street apartment of Robert Salem? The other possibility is that my interpretation of the Zodiac Killer's symbols are incorrect, and they in no way correlate to the Egyptian ankh on the apartment wall. 
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