Thanks to Druzer for recreating this image. It has always been difficult to reconcile how the Zodiac Killer could be claiming Donna Lass as a victim when he failed to increase his count from the time of the Little List letter to the 13-Hole postcard, which spanned her disappearance on September 6th 1970 but maintained the victim count of thirteen.
On October 27th 1970, the Zodiac Killer attached the number 14 to the skeleton's hand to signify an increase in the victim count, next to the text "I feel it in my bones, you ache to know my name, and so I'll clue you in". What if the Zodiac Killer was asking us to guess the name of his fourteenth victim, who was represented by the skeleton, necessitating the adding of a blindfolded skeleton on the card inner to symbolize an identity hidden, with the wording "But, then why spoil our game".
The 13-Hole postcard may have used thirteen punch-holes to represent thirteen victims, the Pines postcard may have used one punch-hole to represent the murdered and buried Donna Lass, but in the Halloween card the Zodiac Killer only added 12 eyes to the one in the knot-hole of the tree, to make thirteen again. So was the inner skeleton our fourteenth unidentified victim that the thirteen eyes were looking at, with the author playing a sort of cryptic game to discover the victim's name? The sort of cryptic game he played with the Pines postcard, which also never made it clear what victim he was referring to.
On October 27th 1970, the Zodiac Killer attached the number 14 to the skeleton's hand to signify an increase in the victim count, next to the text "I feel it in my bones, you ache to know my name, and so I'll clue you in". What if the Zodiac Killer was asking us to guess the name of his fourteenth victim, who was represented by the skeleton, necessitating the adding of a blindfolded skeleton on the card inner to symbolize an identity hidden, with the wording "But, then why spoil our game".
The 13-Hole postcard may have used thirteen punch-holes to represent thirteen victims, the Pines postcard may have used one punch-hole to represent the murdered and buried Donna Lass, but in the Halloween card the Zodiac Killer only added 12 eyes to the one in the knot-hole of the tree, to make thirteen again. So was the inner skeleton our fourteenth unidentified victim that the thirteen eyes were looking at, with the author playing a sort of cryptic game to discover the victim's name? The sort of cryptic game he played with the Pines postcard, which also never made it clear what victim he was referring to.
Courtesy of Seagull In the Pines postcard it has been widely considered that the punch-hole was the burial site of Donna Lass, and we had to "peek through the pines" to discover her grave. This methodology may have been employed in the Halloween card with the eye looking through the hole in the tree, with the wording "peek-a-boo you are doomed". In other words, we had to "peek.through the pines" to discover her skeleton. The hole in the tree and the hole in the Pines postcard both being a window to death. The number count atop of the skeleton signifying a new, but yet undiscovered head count - and symbolic of a victim undiscovered for 51 days.
This could play into the notion of the strange design on the envelope and card inner, where a case can be argued for a joined "L" and "F" with 4 dots in between, signifying "look four fourteen" or "look for fourteen" from a phonetic standpoint. With all thirteen eyes trained on the inner skeleton facing right, it's possible the author is asking us to look for a victim he was keeping close to his chest in some sort of macabre game (whether he was responsible or not). A game he would reinvent on March 22nd 1971. By October 27th 1970 it was still unknown what had happened to Donna Lass, so it's possible the Zodiac Killer played on this uncertainty in this card and the one five months later, which were both linked through journalist Paul Avery.
This could play into the notion of the strange design on the envelope and card inner, where a case can be argued for a joined "L" and "F" with 4 dots in between, signifying "look four fourteen" or "look for fourteen" from a phonetic standpoint. With all thirteen eyes trained on the inner skeleton facing right, it's possible the author is asking us to look for a victim he was keeping close to his chest in some sort of macabre game (whether he was responsible or not). A game he would reinvent on March 22nd 1971. By October 27th 1970 it was still unknown what had happened to Donna Lass, so it's possible the Zodiac Killer played on this uncertainty in this card and the one five months later, which were both linked through journalist Paul Avery.
Donna Ann Lass Was the position of the pasted skeleton on the Halloween card inner representative of the "Danse Macabre", in which skeletons escort living humans to their graves in a lively dance. In this instance, the skeleton of Donna Lass leading us to her gravesite, not dissimilar to the Pines postcard, that seemed to carry instructions to her burial location. "The Danse Macabre, also called the Dance of Death, is an artistic genre of allegory from the Late Middle Ages on the universality of death. The Danse Macabre consists of the dead, or a personification of death, summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, child, and labourer. The effect is both frivolous and terrifying, beseeching its audience to react emotionally. It was produced as memento mori, to remind people of the fragility of their lives and how vain are the glories of earthly life. According to legend, Death appears at midnight every year on Halloween. Death calls forth the dead from their graves to dance for him while he plays his fiddle. His skeletons dance for him until the cockerel crows at dawn, when they must return to their graves until the next year". Wikipedia.
The Dance of Death (1493) by Michael Wolgemut, from the Nuremberg Chronicle of Hartmann Schedel
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